Mirrorless Camera Reviews

The Sony A7R II is a mirrorless, compact system camera with a full-frame sensor and extremely high resolution. The A7R II records images with 7952x5304 pixels and while the more than 42MP resolution is not as high as the sensor resolution of the Canon EOS 5DS, it provides images on the same level as digital backs for medium format cameras.

The Canon EOS M10 is Canon's new entry-level mirrorless camera and features an 18MP APS-C sensor (22.3 x 14.9 mm). The new EOS M mount lens Canon offers with the new camera, the Canon EF-M 15-45mm f/3.5-6.3 IS STM, is very compact. Including this new lens, Canon now offers five lenses in the EOS M series line; the Mount Adapter EF-EOS M adapter allows use of their EF lenses as well.

Leica just introduced the heavily rumored new Leica SL (Typ 601) mirrorless camera system, which includes a brand new “Leica L” lens and more dedicated full-frame glass to come in the near future. Leica has designed the SL to take on not just rival mirrorless cameras but to, potentially, lure pro DSLR users to switch to this high-end system, which combines what the company claims to be the fastest autofocus on the market with a speedy 11fps burst rate and 4K video capture.

The OM-D E-M10 Mark II (E-M10 II in the following text) is the second generation of the Olympus entry level E-M system line. The first E-M10, introduced in January 2014, was a very small and compact camera with SLR design elements. The E-M10 II has a very similar look with even more “retro style” elements. The on/off switch, for example, looks like the same switch on the analog Olympus OM-1 from the 1970s.

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring 2015 in Dubai, United Arab Emirates.

There are few things that can get a man’s heart pumping like a new camera and a legendary car race to test it out at. Or at least that’s how I felt when I got a chance to take the Panasonic Lumix DMC-G7 for a spin at the Indianapolis 500 in May.

The 16-megapixel Fujifilm X-T10 mirrorless camera reminds me of the old Reese’s Peanut Butter Cup commercial (bear with me Millennials) where two strangers—one eating peanut butter and one eating chocolate—bump into each other and somehow smash their food together. After a brief bit of yelling (“you got your peanut butter on my chocolate!” “you got your chocolate in my peanut butter”) they realize that the combination is better than the individual elements.