Tripod Reviews

Here are the rules: every item described herein is small enough to fit inside a reasonably normal stocking and each is something that every photographer will appreciate. Price was not part of the selection process, nor was foot size.

I’m as bad as the next guy when it comes to tripods. I know I should know better—they’re the only accessory you can buy that has the potential to improve every single picture you take. I’ve written about tripods at least a hundred times. That said, there have been too many occasions when I’ve been two-legged when I should have used three.

Whether you find yourself in the wilderness, on a tropical beach, in a river, alongside a pounding waterfall, or on the Arctic tundra, shooting wildlife, scenic views, or the night sky, your tripod must be suited to the task. The practical choices come down to metal/aluminum alloy, composite/carbon fiber, or wood. (Composite materials also include basalt, but we’ll focus on the more popular and widely available carbon fiber in this category.)

The Vanguard ABEO Pro Kit starts out as a solid carbon-fiber tripod but then adds features and functions like a removable and rotatable (vertical or horizontal) center column, a pistol grip with built-in trigger release with cable attachments for many cameras, bubble levels, 80-degree leg spread, three “feet” supports (pads, spikes, and rubber), a quick-release base plate and mechanism, and etched degree settings on the center column for those who want to do precise panoramas.

It was with considerable dismay that I discovered, after my story on gimbal mounts appeared in a recent issue of Shutterbug, that Really Right Stuff (RRS) manufactures a gimbal mount as well; in fact, some might argue it is one of the best conventional gimbal mounts currently being offered among top-tier gimbal mount manufacturers.

Built primarily of CNC-machined black anodized aircraft-grade aluminum stock, RRS’s gimbal is one tough mount. And it’s also beautiful, to boot. Manufacturing quality is as good as it gets—and the postproduction finish and fit are impeccable. The custom knurled pitch lock knob for the articulated arm is solid aluminum. The custom pan knob is solid aluminum as well, but additionally has a rubber grip to facilitate rotation. Importantly, both knobs are located on the same side of the gimbal, thus facilitating access and allowing the user to release or tighten both with just one hand.

I’ve been a dedicated gimbal head user for a long time. If you shoot with seriously long lenses, no other head comes close to offering a gimbal’s stability, articulation, and flexibility. Forget ball heads and anything else designed to attach long telephotos to a tripod. If you’re a big lens user and you photograph things that move, a gimbal is the only way to go.