Mirrorless Camera Reviews

The hot topic for serious shooters going into the New Year: Should you stick with the traditional DSLR system that has served you splendidly, or opt for one of the latest mirrorless compact system cameras that promises to deliver the full interchangeable lens shooting experience in a smaller, lighter package?

The new Leica SL (Typ 601) is a brand new mirrorless system camera with a full frame sensor and a resolution of 24MP. The SL can't be described as a Compact System Camera because it has a very heavy and robust body built by a milling machine out of a massive aluminum block and is comparable to the size of a standard SLR system.

"I tested [the Fuji X-T10] on subjects from moving vehicles to erratically running children and the camera managed to keep up with practically everything I could throw at it."

We got some early hands-on time with the Sony A7S II last night, a full frame, mirrorless camera we have dubbed “the master of the dark arts” for its impressive low light shooting prowess. We shot several images and videos with the A7S II at a dark night club at extraordinarily high ISOs (up to ISO 409,600!) and have included them below in this review at full resolution so you can check them out.

Sony’s A-series cameras have gotten a lot of coverage in the photo press in the last few years with the recently introduced Sony A7R II receiving the kind of the pre-release hype not seen since the launch of the Canon 5D Mark II back in 2008. While this would seem to be good news for Sony, it’s tough to gauge what kind of impact it’s had.

The 20.3-megapixel Panasonic Lumix DMC-GX8 is the follow-up to the GX7, which was the top model of the viewfinder style G series mirrorless cameras. Like the GX7, the Panasonic GX8 looks like a classic rangefinder camera, but has a tiltable electronic viewfinder that uses a high resolution OLED display with 2.36 million RGB dots.

I didn’t realize how much I could appreciate a mirrorless CSC (Compact System Camera) till, after working with the Samsung NX500 for several days, I picked up my Nikon D610 DSLR and realized I was carrying a brick in my hands. Don’t get me wrong, though. I still love my D610 and wouldn’t trade it in for anything (not just yet), but the new NX500 felt like a feather around my neck and in my hands. Even when I added the relatively heavy 50-150mm S-series lens, the combo still left me feeling as if I were working with a lyre, not a harp. Admittedly, like the lyre, it’s not as full-bodied an instrument, but the NX500 still plays a sweet tune.