George Schaub

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George Schaub  |  Aug 17, 2017  |  0 comments

Think of a scanner as an archivist and a digital recording device for both prints and film images. Next think of a scanner as a kind of large format copying device and even a camera. Now put those together and you’ll get an idea of what Epson’s new 12000XL scanner has to offer. 

George Schaub  |  Jul 14, 2017  |  0 comments

While it might seem unusual that a camera can be both mirrorless and have a medium format size sensor, that’s exactly what Fujifilm has created with their new GFX 50S. The 51.4MP CMOS sensor size is 43.8x32.9mm, 1.7x the size of the sensor in a full-frame DSLR; the body is decidedly mirrorless, lacking a pentaprism finder and replacing it with an EVF and a tiltable rear LCD. 

George Schaub  |  Jun 22, 2017  |  0 comments

In this day and age of cross-type AF sensors and AF tracking in high-speed shooting modes, a rangefinder-focusing camera might well seem an anomaly, if not a downright anachronism. Indeed, manual focusing has in large part become vestigial among photographers and their ability to focus without AF has atrophied.

George Schaub  |  May 11, 2017  |  0 comments

When Sigma introduced their new super-wide zoom in late 2016 I was eager to give it a try. Among their Art lens offerings, the Sigma 12-24mm f/4 DG HSM lens ($1,599, MSRP) serves as an upgrade to their 12-24mm f/4.5-5.6 (still available at an MSRP of $949) with a constant f/4 aperture; a nine-bladed diaphragm; FLD glass elements; an updated HSM (Hyper Sonic Motor) that uses 1.3x the torque for fast and smooth autofocus operation; 16 elements in 11 groups construction; and what Sigma claims is “the largest aspherical element in the industry” to minimize distortion, ghosting, and flare. The angle of view ranges from 84 to 122 degrees, with mount compatibility for Canon, Nikon, and Sigma DSLRs.

George Schaub  |  Feb 14, 2017  |  0 comments
My contention has always been that a real live camera affords superior image quality over any smartphone. But you know that already, especially when it comes to optical options, low-light capability, high ISO, video capability, and, perhaps most importantly, the experience of being able to see what you are shooting (through the optical finder of a DSLR) in bright light.
George Schaub  |  Feb 10, 2017  |  1 comments

At $2,995 MSRP, this 24-inch paper width printer is clearly aimed at pros and pro labs and a select group of well-heeled enthusiasts, especially those who want to make large prints from their high-resolution Canon EOS—and other—digital cameras.

George Schaub  |  Sep 15, 2016  |  0 comments

Today Epson introduced the FastFoto FF-640, dubbed by the company as the “world’s fastest photo scanner.” An alternative to flatbed scanners, the FastFoto scanner has a throughput rate of one photo per second with integral photo tools to restore and archive treasured images for print or social media sharing. Ideal for hobbyists and archivists alike, the unit can handle prints up to 8x10 as well as speedy document scanning for those who want to make electronic files of important papers. Shutterbug Editor-at-Large George Schaub got his hands on a pre-release unit and filed this report.

George Schaub  |  Sep 13, 2016  |  0 comments

Creating a web page for your images these days is fairly easy, and there are numerous web apps available that offer a wide variety of colors and backgrounds. But organizing your images before you even consider the template (or “skin” as it is called in the trade) is perhaps the biggest challenge, given the proliferation of images we all have made with various cameras and mobile devices stored on flash drives, hard drives, and even memory cards.

George Schaub  |  Aug 23, 2016  |  1 comments

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring 2016 in San Francisco, California.

George Schaub  |  Jun 07, 2016  |  1 comments

Digital Ice and similar dust and scratch cleanup tools for scanning color negative and non-Kodachrome slides was a boon for those looking to archive/digitize their film files. This software/hardware solution worked with numerous scanners by isolating the offending dust and scratches on a separate infrared channel that it then dumped when the final scan was made.

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