George Schaub

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George Schaub  |  Jan 24, 2018  |  0 comments

Shutterbug, a member of the Technical Image Press Association (TIPA), once again joined forces with 30 other member magazines from around the world to choose the winners of the annual TIPA Awards for the best photo/imaging products in 40 different categories. The award process began in early 2017 with an initial selection of a wide range of products conducted by TIPA’s Technical Committee, on which Shutterbug’s Editor-at-Large George Schaub serves. 

George Schaub  |  Jan 17, 2018  |  0 comments

When I checked Canon’s website to verify the specs on the EOS 6D Mark II ($1,999, body only; $3,099, for the test camera supplied with the EF 24-105mm f/4L IS USM “kit” lens) I was a bit surprised to see it termed a “gateway” for enthusiasts to step up to a full-frame DSLR. That’s a new one to me, but that indeed is what this camera is. 

George Schaub  |  Dec 07, 2017  |  0 comments

While image stabilization in camera bodies and lenses has stretched the bounds of slow shutter speed usage, there’s nothing that can take the place of a good tripod in terms of image sharpness and the ability to take advantage of today’s camera technology. Working with HDR, with very long exposure times, and the ability to shoot at virtually any aperture and shutter speed without resorting to excessive ISOs are obvious benefits. 

George Schaub  |  Nov 09, 2017  |  0 comments

I have been using Epson’s Advanced B&W Photo printing mode for many years in a series of the company’s desktop printers but always wished the print software offered a way to see my image adjustments in real time. So, when Epson announced their new Print Layout software, which offers a “live preview” (among other controls) in Advanced B&W Photo mode, I contacted them to give it a whirl. 

George Schaub  |  Oct 23, 2017  |  0 comments

Nikon had been relatively quiet in introducing DSLRs aimed at enthusiast photographers but that all changed with the new D7500, the company’s latest camera in the D7000 line. As the successor to the D7200, the Nikon D7500 (MSRP: $1,249, body only) joins Nikon’s APS-C (DX format) DSLR camera lineup, which includes the flagship D500, with a 20.9MP CMOS sensor and no low-pass filter. 

George Schaub  |  Sep 19, 2017  |  0 comments

While some mirrorless cameras might be mistaken for a small APS-C DSLR, albeit minus the pentaprism bulge, Canon’s EOS M6 is more akin to a compact camera that can take interchangeable lenses, either the growing list of dedicated EF-M lenses, or EF and EF-S lenses with an optional adapter. (My tests were with the EF-M 18-55mm IS STM lens, f/3.5-22 at wide and f/5.6-32 at tele, with an equivalent focal length of about 28-88mm.) 

George Schaub  |  Aug 29, 2017  |  0 comments

Inkjet printmakers now have a range of printing paper options that go well beyond the wildest dreams of darkroom printers in terms of size, surface, and print “look.” While covering all the offerings would fill all the pages of this issue, and then some, what follows is a sampling of paper options that I have recently tested with some suggestions about how they might best be put to use in your creative endeavors. 

George Schaub  |  Aug 17, 2017  |  0 comments

Think of a scanner as an archivist and a digital recording device for both prints and film images. Next think of a scanner as a kind of large format copying device and even a camera. Now put those together and you’ll get an idea of what Epson’s new 12000XL scanner has to offer. 

George Schaub  |  Jul 14, 2017  |  0 comments

While it might seem unusual that a camera can be both mirrorless and have a medium format size sensor, that’s exactly what Fujifilm has created with their new GFX 50S. The 51.4MP CMOS sensor size is 43.8x32.9mm, 1.7x the size of the sensor in a full-frame DSLR; the body is decidedly mirrorless, lacking a pentaprism finder and replacing it with an EVF and a tiltable rear LCD. 

George Schaub  |  Jun 22, 2017  |  0 comments

In this day and age of cross-type AF sensors and AF tracking in high-speed shooting modes, a rangefinder-focusing camera might well seem an anomaly, if not a downright anachronism. Indeed, manual focusing has in large part become vestigial among photographers and their ability to focus without AF has atrophied.

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