Mirrorless Camera Reviews

The 24-megapixel Sony A6300 mirrorless camera is the follow-up to the A6000 from 2014 and, in that respect, it has some very big shoes to fill. The A6000 was one of the best-selling mirrorless cameras of all time and Sony is clearly hoping to strike gold with the A6300 as well.

When the invitation arrived to join Sony and a group of editors and writers in Austin, Texas, for a couple days of shooting with the new A6500 APS-C mirrorless camera, my response was swift and unequivocal: “When do I leave?” Austin is a fun town known for superb cuisine, great music, friendly folks, and an abundance of shooting opportunities, and I’ve been eager to get my hands on the compact powerhouse A6500 ever since it was announced last October.

Two of the most talked about full frame mirrorless cameras of the past few years come from the same company: the Sony A7 III and the Sony A7R III. The main thing that separates these two models is not just the "R" in the name; it's the price.

Sony’s A-series cameras have gotten a lot of coverage in the photo press in the last few years with the recently introduced Sony A7R II receiving the kind of the pre-release hype not seen since the launch of the Canon 5D Mark II back in 2008. While this would seem to be good news for Sony, it’s tough to gauge what kind of impact it’s had.

When Sony officially unveiled the 61MP A7R IV full frame mirrorless camera in New York City last month, I made a joke on Twitter that didn't go over very well. I tweeted, facetiously, that the A7R IV was the best DSLR that Sony had ever produced.

The Sony A7S II has a 12MP full-frame sensor. This mirrorless camera could be dubbed an “available light specialist” that offers extremely high sensitivity settings of up to ISO 409,600. According to Sony, the BIONZ X processor in the A7S II features an upgraded image processing algorithm that boosts the sensor’s capabilities overall, particularly at the mid-high end of the ISO scale. This is designed to produce more detailed still images and movies with low noise at high ISOs. Let’s take a closer look at this high sensitivity camera, which has also been called a “low-light monster” and a “master of the dark arts.”