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Last week we presented a quick solution for eliminating ugly color fringing from photographs captured outdoors in high-contrast situations. Today we're tackling another unsightly problem; namely, color banding and gradient banding that can also ruin an otherwise great shot.

Starting in the business of fine art photography is not easy. More than anything, there will be a lot of peaks and valleys ahead. In this column, we look at how to navigate some of these issues, find clients, seek gallery representation, and market your work. Thanks to my contributing photographers: Larry Angier, Michael Garlington, Laurie Klein, RJ Muna, and Brooke Shaden.

Chicago-based photographer and filmmaker Eric Flobeg has been shooting weddings for seven years and he’s learned a lot along the way. In the below video, Floberg shares some of his own tips and strategies for how to get started as a wedding photographer, along with tips and strategies he’s picked up from his colleagues in the wedding photography business.

We’re lucky. Digital camera features improve at a lightning-fast pace, but our real needs as photographers increase at a slower, more rational rate. Most photo enthusiasts are rightfully content using a model that’s two or three seasons behind in the “latest and greatest” race because it has every feature they need and then some. This is particularly true with DSLRs, a category that has recently been deemphasized by manufacturers pursuing the mirrorless bandwagon.

What does all this mean to you? It means that the DSLR you longed for when it was first introduced a few seasons back is still a viable, exciting imagemaker, and now you can own it at a cost much lower than when it debuted. MPB, the largest global platform to buy, sell and trade used photo and video gear, has hundreds of DSLRs in stock and priced ready to sell. And because MPB recirculates more than 485,000 pieces of photo equipment every year, you can offset the cost of your purchases via trade-in.

Buying used gear of any kind can be a nerve-wracking experience. But when you’re talking about delicate cameras and lenses, purchasing something secondhand can be particularly challenging.

One of the hardest things about photographing birds is that they usually know you’re there. Whether it’s by seeing, smelling, or hearing you, our fine feathered friends are always acutely aware of your presence, especially when you have a giant telephoto lens pointed at them.

Anup Shah believes there is an authenticity to the personalities of wild animals: an animal in the wild wears no mask and assumes no role that is not genuine; neither is that animal influenced by humans in the way a captive creature would be.