George Schaub
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Amateur Digital SLRs
George Schaub Nov 10, 2011 Published: Oct 01, 2011 5 comments
The 12.1-megapixel Nikon COOLPIX P500 ($399.95, MSRP) is an integral lens camera with an incredible zoom range of 36x—that’s optical, not digital zoom and it gives you the equivalent angle of view of a wide-angle 22.5mm to a super tele of 810mm! The Zoom-Nikkor ED glass lens can also be used for “super close-ups” with a minimum focusing distance of 0.4”.
George Schaub Aug 01, 2003 0 comments

The Nikon N75

Now that digital SLRs are knocking on the door, film SLRs are undergoing a renaissance that makes them smaller, lighter, easier to use and carry. They also are incorporating many advanced features of their pro film SLR cousins but...

George Schaub Mar 01, 2004 0 comments

One of the glories of digital cameras is that you have as many options as you could desire in terms of exposure, white balance, file format and compression, sharpness, contrast, color saturation, bracketing, flash modes, and ISO settings, etc., all in each frame. This allows you to bring all your photo...

Editor's Notes
George Schaub Mar 14, 2012 Published: Feb 01, 2012 2 comments
I grew up in a black-and-white photographic world. Sure there was color and plenty of it, but what attracted my eye were the black-and-white pictorials in Life magazine, black-and-white movies like The Third Man and the film noir B-flicks, and the amazing work that came out of the FSA and that of Weston, Evans, and Siskind. When I began photography “seriously” I couldn’t imagine shooting in color, except for the rent-paying jobs, or not being the one who processed and printed my own work.
Editor's Notes
George Schaub Mar 17, 2014 Published: Feb 01, 2014 0 comments
While every image we make with a digital camera starts out as a color (RGB) image, it doesn’t preclude creating dynamic black-and-white photos from those image files. In fact, the ability to “convert” to color lends itself to producing more tonally rich images than we ever could have imagined when working with black-and-white silver materials.
Editor's Notes
George Schaub Jan 07, 2014 Published: Dec 01, 2013 0 comments
Not long ago when you wanted even a modicum of quality with the ability to interchange lenses and control over cameras and functions worthy of the craft you’d mainly have to choose among a variety of D-SLR-type cameras. While they all followed the 35mm SLR form and even modes of operation, the digital differentiator was generally the size and megapixel count on the sensor. While there certainly were variations and competitive technologies within different brands, the major split was between APS-C and so-called “full frame” (larger sensors equaling the 35mm format). Improvements tended to drift “down” from full-framers to APS-C, but there were also a number of concessions, if you will, that moved up from APS-C to the more pro-oriented models, which for some muddied the waters although body construction, shutter cycles, and other matters of concern to pros were retained in the higher-priced cameras.
Newsletter
George Schaub Jun 26, 2007 0 comments

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Courtesy of Sigma Corporation, All Rights Reserved

Newsletter
George Schaub Sep 14, 2012 0 comments
There are three general metering patterns available in most cameras—pattern (evaluative, matrix or other nomenclature, depending on the brand), center-weighted averaging and spot. Of all of them, spot gives you the greatest personal control over brightness and tonal values, which is how you become more engaged in your work. But being in the realm of personal creativity and decision-making means it demands more attention in return. In this article we’ll cover why you might want to give this least-used metering pattern a try.
Editor's Notes
George Schaub Apr 01, 2010 0 comments

More pro photographers than you might imagine have been forged by the fire of the wedding photography trade. There is little to compare with the challenges of that combination of business and shooting knowledge and skill required. A typical wedding day can include portraits, still life, posing, lighting, exposure, photojournalism, classic groups, action, low-light, night, and even candle-lit...

Editor's Notes
George Schaub Jul 01, 2007 0 comments

This issue contains our annual new products report in which we look at a number of product groupings and discuss what's been introduced in each in the last few months. The main inspiration for this flood of products comes from our attending America's largest photo/imaging trade show, known as PMA (Photo Marketing Association). Our staff and a host of our contributing...