George Schaub

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George Schaub Posted: Dec 01, 2006 0 comments

In this issue we ask our contributors to pose their thoughts about the future of photography, at least looking forward a year. As is their wont, each has a particular revelation, wish, or projection based upon their sense of optimism (or lack of it) and field of expertise. You'll read echoes of nostalgia for film photography, thoughts on what needs to change to make things...

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George Schaub Posted: Mar 01, 2006 0 comments

The line-up of quality 4x6 desktop printers now includes a number of models in the dye sublimation realm. These printers offer computer- or computer-less printing with a host of input options. Smaller than your inkjet, they offer convenience, fast printing, and, increasingly, fairly sophisticated processing options. We recently had the opportunity to work with a new printer from...

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George Schaub Posted: Aug 01, 2008 0 comments

Small, 4x6 dye sub prints have their uses, for quick prints of snapshots, for making thumbnail contact sheets from a memory card or CD, or even printing out smaller images on sheet cards for passport, bus pass, or ID cards. They become personal photo kiosks, if you will, making trips down to the store unnecessary when you just want a quick print from your image files. They also...

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George Schaub Posted: Nov 28, 2011 Published: Oct 01, 2011 2 comments
In this issue we feature images from the last roll of Kodachrome film ever processed. Steve McCurry’s work has always been admirable, but here the photographs have a special poignancy because they will be irrevocably tied to the end of an era in photography. These iconic images now reside in the Eastman House in Rochester, a fitting setting for them among the daguerreotypes, albumen prints, kallitypes, and other images created by processes that have become part of history. True, you can emulate the “look” of these processes with software, and even recreate some of the old paper print processes using custom-mix chemicals and old formulae, but I doubt very much that anyone is going to attempt to set up the massive machinery and chemical soups required to allow Kodachrome to be processed ever again.
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George Schaub Posted: Apr 05, 2010 0 comments

The Leica X1 looks like an analog camera. It has a compact body with a high quality finish and offers two setup dials on the top. If both dials are set to A-mode the camera will set aperture and shutter speed value automatically. If the photographer changes the aperture setting manually to a value between f2,8 and f16 the camera will work in aperture priority mode and set up shutter speed automatically. Similarly, a change of the shutter speed dial and setting the aperture-dial to A will switch the Leica X1 into “shutter speed priority mode. It’s a very efficient and easy system. The camera doesn’t offer any scene modes.

The X1 is Leica’s newest compact camera. It is based on an APS-C-sized image sensor and a lens system with fixed focal length with 36mm (35mm film equivalent). The camera has a small and compact body, offers easy handling and creates very crisp images.

...

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George Schaub Posted: Oct 01, 2007 0 comments

This issue is dedicated to lighting with reviews, how-to articles, and roundups of gear, all intended to get you thinking about the best way to illuminate your subject. At the most basic level exposure is about aperture and shutter speed--that's how light is controlled. But it is in shaping light, using modifiers for existing light and various types of bulbs, controlled...

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George Schaub Posted: Jul 01, 2006 0 comments

No one doubts the need for backing up digital images. But with digital cameras commonly in the 10-megapixel range, the need for more and more memory is apparent. Many of us have ever-increasing stacks of CDs and DVDs gathering on shelves, some properly cataloged and others awaiting the necessary housekeeping. As the image files grow photographers are seeking larger back-up systems...

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George Schaub Posted: Feb 01, 2011 0 comments

Every photo you take with a digital camera is RGB but that hasn’t stopped anyone from exploring the rich field of black-and-white imagery. True, a few years back the “conversion” to black and white was not so simple. You had to explore Channels or desaturate the image to create the foundation file, which left you with a fairly good black-and-white rendition, but something that...

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George Schaub Posted: Aug 23, 2011 Published: Jul 01, 2011 1 comments
I remember a story Fred Picker once told about showing his portfolio to a curator at a museum in New England. Fred photographed in the British Isles, near his home in Vermont and places far and wide, and trained his eye and lens on natural forms and man-made totems in nature. His favorite photographer was Paul Strand, though his photo collection ranged as far as his travels. In any case, in goes Fred to this curator, who quickly breezes through the images and dismisses the lot, saying, “We don’t need any more rocks and trees.”
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George Schaub Posted: Jun 27, 2006 0 comments

The New Pigment Ink Printers: How They Change Desktop Printing

by George Schaub

You wouldn't think that a small thing like changing the type of ink a
printer uses would have a profound effect on desktop photo printing, but that's
what the new products from Canon and HP might do. That change is offering pigment...

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