Sigma’s 24-60mm f/2.8 EX DG
Wide Zoom For Film, Moderate Wide Zoom For Digital
Note the "EX DG" appellation in this new Sigma lens. This signifies a lens that you can use for both film and digital photography, as opposed to Sigma's "EX DC" branding, which can only be used with digital SLRs. The difference is in the image circle each projects. Use a "DC" lens on a film camera and you'll have serious vignetting at the corners. That's the way it is in the lens business these days, with independents like Sigma now offering lenses for both digital and film or just for digital cameras.
But there's more to it than that--what Sigma has done is to take what they've learned about the required corrections for digital photography and applied them to their new line-up of film/digital camera lenses. Thus, the new 24-60mm f/2.8 EX DG lens offers both Spherical Low Dispersion (SLD) and aspherical glass elements, made to correct for distortion and reduce flare and ghosting, problems common to wide angle optics in general made more evident by the higher demands of digital sensors. There are four pieces of aspherical glass in this fast lens--one piece of Glass Mold Aspherical and three of Hybrid Aspherical. The lens also benefits from the size and weight solutions learned by making lenses from digital SLRs, the result being a compact, lightweight unit. Being a fast lens, the front element is wide, and carries a 77mm filter thread.
Of course, the focal length range you get from this lens depends on the rig
on which you mount it. You maintain the quite wide to normal range on a film
camera, but if you're working with, for example, a 1.5 factor on your
digital SLR you've got a
36-90mm, which turns it from a wide to normal to a normal to portrait focal length. The former is great for street and landscape work, while the latter is a middling range that is more apt for candid weddings and such. To get the wide angle effect we tested this lens on a film SLR, specifically a Canon EOS-1N; to check out its digital capabilities we worked with a Canon EOS 20D. We shot both color and black and white film, the latter being Ilford Delta 400, which we had processed by dr5 Labs in Los Angeles (www.dr5.com).
The Sigma lens has a fast, constant aperture of f/2.8, which means that you lose no light even when you zoom. The minimum aperture, f/22, means outrageous depth of field at the 24mm setting. The close focusing distance, at all focal lengths, is a very nice 14". Most important, the lens works seamlessly with the Canon SLR, and yielded extremely sharp, very bright contrast images at a variety of focal lengths. The enhanced coating, created for use with digital SLRs, certainly benefits film shooters as well.
Weighing in at a bit under 20 oz, and at a bit longer than 3.3", the Sigma 24-60mm f/2.8 EX DG is certainly a worthy travel companion. It's available in just about every mount for a bit over $400 street price. You could get a longer-range zoom that initiates at 24mm, but more than likely you'd lose some speed when zooming to longer focal lengths and of course would surrender a bit more room in your camera bag.
Minimum Aperture: f/22
Minimum Focusing Distance: 1.25 ft
Filter Size: 77mm
Size (Diameter/Length): 3.3x3.33"
Weight: 17.8 oz
Price: Street, about $389
For more information, visit Sigma's website at: www.sigma-photo.com.
- Venus Optics Just Introduced the Weirdest Lens You’ve Ever Seen: The Laowa 24mm f/14 Macro
- 13 Questions to Test Your Knowledge of Camera Lenses
- Hands-On Impressions of the New Fujifilm GFX Medium Format Mirrorless Camera
- Photographer Travels the World to Capture These Astonishing Macro Cityscapes in Drops of Water
- Bright Ideas: How Alexis Cuarezma Creates Dramatic Images Through Clever Lighting Setups