George Schaub
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Editor's Notes
George Schaub Jan 18, 2013 Published: Dec 01, 2012 4 comments
In this issue we offer a host of camera reports covering a wide variety of models and camera types, and this gives me a good opportunity to discuss the forms our camera tests take—lab tests and what I call “anecdotal” reports. In most cases we limit a model to one type of test, except when we feel that it rates a second look and that there’s more to add by using both approaches. We also make a decision about lab or field tests when we feel overwhelmed by new cameras coming our way, and simply don’t have the space each month to cover every one of them. Plus, we offer tests that never see the pages of the magazine that can be found under the Image Tech section of our website at www.shutterbug.com.
Editor's Notes
George Schaub Nov 01, 2007 0 comments

To get a handle on the issue at hand we first have to define a "pro photographer." In the simplest terms, a professional is someone who makes money at what they do. But pros can also have another day job entirely, or do the odd photographic job on nights and weekends to help pay the rent. Indeed, many pro photographers started working for nothing or next to nothing...

George Schaub Feb 27, 2014 Published: Jan 01, 2014 0 comments
There are many ways to share images these days, from social networks to clouds to full-fledged e-commerce platforms. For some, simple online albuming will do, but for others it can become an involving project that puts your images on the Internet in a very engaging way. It’s not only in the personalization of the look and feel of the wrapper around your image content that can separate your site from the crowd. It’s also the ability to work cross-platform, include an e-commerce component, and allow for a “translator” that can make your site accessible to folks and even clients around the world that can add to its attractiveness and functionality.
Editor's Notes
George Schaub Sep 01, 2010 0 comments

You can set your clock by it. A year and a half after Version XX of software comes out, Version XXI comes down the pike. But if that was all there was to do we wouldn’t have to struggle so much about deciding whether or not to upgrade; we’d just look at the new features and decide whether or not they were worth the time and money to update. But then...

George Schaub Dec 24, 2013 Published: Nov 01, 2013 0 comments
The Vanguard ABEO Pro Kit starts out as a solid carbon-fiber tripod but then adds features and functions like a removable and rotatable (vertical or horizontal) center column, a pistol grip with built-in trigger release with cable attachments for many cameras, bubble levels, 80-degree leg spread, three “feet” supports (pads, spikes, and rubber), a quick-release base plate and mechanism, and etched degree settings on the center column for those who want to do precise panoramas.
Lenses, Test Reports
George Schaub Aug 01, 2003 0 comments

Vario-Sonnar T*

At a street price of just under $3000 the Vario-Sonnar T* 45-90mm f/4.5 lens is not to be trifled with. It is a serious optical instrument for those who require zoom lens flexibility for their Contax 645. But those in the...

George Schaub Oct 01, 2003 0 comments

When Velvia first burst on the scene more than 10 years back it created a revolution in the way photographers related to slide film. I remember getting my first roll into a camera in Las Vegas and immediately beating a path to Red Rock Canyon. I made a series of bracketed exposures and got...

George Schaub Jul 18, 2012 Published: Jun 01, 2012 12 comments
Wacom recently introduced their new line of Bamboo tablets, and we thought we’d revisit the use of stylus and tablet tools to give it a try. For our test we worked with the Bamboo Capture, described by the company as most apt for enthusiast digital photographers, although there are three intros in this new line.
Newsletter
George Schaub May 31, 2011 1 comments

Imagine yourself walking into a room where there are numerous objects covered with small mirrors. The mirrors follow the form and shape of the objects. The walls of the room have a slot that goes continuously around the entire room. Behind the slot is a light that shines into the room and that travels the entire distance, from wall to wall. As the light travels it passes through numerous color filters built into the slot. The light reflects off the mirror facets on the objects. You can also move throughout the room and observe the objects and the light by standing with the light coming in over your shoulder, from the side or even standing behind the objects as the light hits them.

Newsletter
George Schaub May 30, 2006 0 comments

In Brief

WD Passport Portable USB Drives

by George Schaub

It's clear that having a backup strategy when on the road can often make
the difference in image insurance. While downloading to your laptop to clear
your memory cards is now standard operating procedure, you should also consider
burni...