Film Photography Reviews

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Jon Sienkiewicz  |  Jul 14, 2023  |  0 comments

Nurturing neophyte film photographers and movie makers, supplying photo schools with film cameras, and helping photographers of all levels learn how to use legacy film cameras, Michael Raso and the Film Photography Project volunteers have engaged with tens of thousands of film users around the world via a monthly podcast, by answering emailed questions and by conducting workshops. If you're into film of any size, shape or format, visit the FPP website and tune in to a podcast.

Jon Sienkiewicz  |  Apr 13, 2023  |  0 comments

Leica just announced the M11 Monochrom, their latest black-and-white-only camera, and Shutterbug had a chance to use one for several days well ahead of the launch. Based on the Leica M11—which we labeled “The Ultimate M” in our review last year—the Leica M11 Monochrom delivers resolution up to 60.4 megapixel and image quality that’s beyond human imagination. The launch included the unveiling of the new Leica Summilux-M 50mm f/1.4 ASPH.

Jason Schneider  |  Jan 30, 2017  |  0 comments

Don’t look now, but film is making a comeback! The reason why is that it’s still a great way to capture distinctive images that express your personal vision.

Dan Havlik  |  Apr 08, 2016  |  0 comments

It’s been called “the longest running SLR in history” and that’s no exaggeration. Everyone who discovered photography at the same time I did – the early 1980s – either owned a Pentax K1000 or knew someone who owned a Pentax K1000.

Jason Schneider  |  Feb 05, 2016  |  0 comments

Ever since digital supplanted film as the primary capture medium sometime in the early 2000’s, the number of new analog cameras available on the market has declined precipitously.

John Wade  |  Jul 13, 2015  |  2 comments

Ninety years ago, at the 1925 Leipzig Spring Fair in Germany, a camera was launched that was destined to change the face of photography. This was a time when it was still common for glass plates to be used in cameras, and those that took roll film were thought of as miniatures. So imagine the culture shock when a still photography camera was produced to take 35mm movie film.

Cynthia Boylan  |  Aug 21, 2014  |  0 comments

Kodak Alaris has announced that—due to a steady decline in sales and customer usage—it is discontinuing the popular Kodak Professional BW400CN film.

Cynthia Boylan  |  Aug 20, 2014  |  0 comments

Ilford Photo recently confirmed reports that there are no plans to discontinue production of their XP2 SUPER film. The product is in free supply globally from Ilford Photo distributors and retailers.

Cynthia Boylan  |  Jul 30, 2014  |  0 comments

Some classic slide films never goes out of style. Or at least that’s what Lomography is hoping now that it’s now brought back Agfa CT Precisa color 35mm slide film. Best known the cool blue tone effect it produces in photos – such as the pumped up blues in images of skies – Agfa CT Precisa also has a fine grain quality and is available in ISO 100.

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

Let’s be honest. One thing no one would have expected at photokina was a unique new black-and-white silver halide process. But that’s what we got. Well, not exactly brand new. It’s a revival of a technology that hasn’t been seen in decades, quite possibly not in the lifetime of many of our readers: direct reversal paper.

Roger W. Hicks & Frances E. Schultz  |  Sep 01, 2009  |  0 comments

Kodak’s new Ektar 100 is a film of unparalleled fine grain, very high sharpness, and excellent color rendition.

Joe Farace  |  Sep 01, 2009  |  0 comments

At photokina in September 2008 Kodak announced its Professional Ektar film in 35mm format.

Roger W. Hicks & Frances E. Schultz  |  May 01, 2008  |  0 comments

Film photographers are a cantankerous and ungrateful crew, often greeting revised films with suspicion and resentment instead of hope and pleasure. To some extent this is understandable, because they usually have to establish new development times and possibly new exposure indices, too; but the manufacturers' claimed improvements are usually honest, and without them...

Roger W. Hicks  |  Feb 01, 2008  |  0 comments

There is a saying: remember, you are unique, just like every other human being. There is also the question of how far we are shaped by our genes, and how far by our upbringing.

 

Similar observations apply to infrared (IR) films. No two emulsions are quite the same (genetic uniqueness), and even with the same emulsion, each photographer has a different regime for...

George Schaub  |  Dec 01, 2007  |  0 comments

Last year we reported that Fujifilm had promised to be the "last man standing" when it came to maintaining and introducing new films, and we are happy to report that their promise has been kept. With a recently introduced Fujichrome Provia 400 and a return of Fujichrome Velvia 50, the company continues to upgrade its chrome film line with new emulsions that improve...

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