George Schaub
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Show Reports
George Schaub Jun 01, 2005 0 comments

For the first time in the history of the PMA Show, not a single 35mm SLR camera was announced at PMA 2005. We do not expect any to be announced anytime soon. Or maybe ever again.
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Accessories
George Schaub Nov 01, 2003 0 comments

As digital SLR and 5-plus megapixel digicams have proliferated so has the need for higher capacity memory cards. Having even a 64MB card seems insufficient these days, especially with so many people choosing TIFF or raw image file formats as their mode of choice. Enter the new 4GB CompactFlash...

Accessories
George Schaub Nov 01, 2007 0 comments

Billed as a "large wheeled camera/computer case," the Pelican 283 (for short) can carry all your gear, and more, in a clever design that holds more than you could imagine in a carryon, wheeled case. In truth, when the entire bag is "together," it can be difficult to stow into an above-seat bin, my main criteria for a bag these days, and in fact the case is...

Editor's Notes
George Schaub Sep 01, 2005 0 comments

The fellow running the curbside check-in at American Airlines out of LaGuardia seemed content with the tip, but not with the fact that we lingered until the bags went down the chute. This was New York, after all. From there it apparently went through many hands--the TSA (Transportation Security Administration), the baggage handlers at LaGuardia, the crew in Chicago where it...

Editor's Notes
George Schaub Apr 01, 2007 0 comments

Having worked with a fair share of digital cameras--both D-SLRs and digicams--I'd like to suggest some designs that might be appealing to many users. I am not being presumptuous, or even suggest that these ideas be adopted, but with so much technology there's no reason why we can't get customized cameras to match specific needs.

We...

Editor's Notes
George Schaub Dec 01, 2005 0 comments

For this issue we asked our contributors to take what they have learned from the last year, mix in a good dose of what they might have heard from peers and manufacturers about what's on the drawing board, and come up with some predictions about what we might expect in the year ahead. Their essays make for fascinating reading, with each contributor discussing an aspect of the...

Newsletter
George Schaub Dec 27, 2005 0 comments

Commentary

A Look Back: Big Changes, but Some Things Have Remained the Same

by George Schaub

Thinking about the past is natural at this time of year, when part of what
we do is recognize change as being part of the natural cycle of life. In photography,
massive changes have taken place that affectedus...

George Schaub Blog
George Schaub Jan 28, 2013 7 comments
Early photographers were bedeviled by the slowness of their sensitized materials. Though exposure times were eventually shortened to workable lengths, early studios used neck braces and confining chairs to keep their subjects still while the exposure was being made.
George Schaub Blog
George Schaub Jan 14, 2014 0 comments
The CES 2014 convention, held last week, was a vast mélange of all things gadget-wise with a smattering of photographic gear thrown into the mix.
Equipment Reviews
George Schaub Feb 21, 2014 Published: Jan 01, 2014 0 comments
A tilt-shift lens can be thought of as a flexible visual tool in the many ways it allows you to image the world. Unlike a standard lens, even a zoom, with a set point of view enforced by stance, elevation, focal length, and, within certain limits, depth of field, the tilt-shift lens opens visual doors a “fixed” lens will not. By tilting the lens within the mount you can enhance or greatly diminish depth of field beyond the “normal” abilities of the focal length and aperture setting. By shifting the lens you can “fix” perspective distortion or exaggerate it for “trick” effects.