George Schaub

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George Schaub Posted: May 04, 2015 0 comments

The new 24.2-megapixel Nikon D7200 replaces the D7100, which came out in 2013, and offers several upgrades and modernizations to that popular APS-C-sensor-based enthusiast DSLR.

George Schaub Posted: Mar 06, 2015 0 comments

Photokina 2014 in Germany has been covered widely on the Internet already—including our own extensive reporting on the show on Shutterbug.com—so there’s no need for me to rehash the major announcements from the event, such as the latest full-frame cameras from Canon and Nikon and the like. My photo report here is aimed at sharing some wider ranging thoughts and perspectives on this important biennial show and what it told us about photography today and where it might be heading tomorrow.

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George Schaub Posted: Dec 26, 2014 0 comments

The adage, “To get a fresh point of view in your photography, try a new lens,” was never truer than when applied to so-called fisheyes. I do not presume to know how a fish sees, but that’s irrelevant because lenses of this ilk get their moniker from the bulbous convexity of the front element, not from any inspection of the image going to the piscine brain.

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George Schaub Posted: Dec 23, 2014 1 comments

For those seeking a larger print size at an affordable price, the Canon PIXMA iP8720 ($299) provides fast output (under two minutes for a 13x19 print) with very good image quality. The unit fits comfortably on a desktop (about 2 feet by 1 feet, given that you need more space for the catcher up front) and at 18 pounds or so, it does not require lifting from the knees, as do some 13x19-inch printers. Canon makes it very clear in their marketing, and in the features the unit has, and in some cases lacks, that this is a consumer-oriented printer. It goes head-to-head in price with the Epson Artisan 1430, and while this is not a comparative review, it’s good to know the competitive landscape for your further investigations.

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George Schaub Posted: Sep 30, 2014 0 comments

This is my last issue as editor of Shutterbug. It has been my pleasure to work on this and other photo magazines in the Shutterbug realm for the past 14 years, and it has been for me the most fun and amazing job one could imagine. I have witnessed, and hopefully reported on faithfully and accurately, the amazing changes we all have seen in photography, as well as worked with a great group of wonderful folks at the magazine itself. In our jobs, we are only as good as the friends, colleagues, and teams we work with, and it has been my great fortune to have been associated with hard-working and dedicated people who I have always considered as friends. They helped me greatly through the fun times, and the hard times, of this job and my life.

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George Schaub Posted: Sep 23, 2014 0 comments

What happens when you get editors from 28 photo and imaging magazines from 15 countries into one room and ask them to pick the top products of 2014? As you can imagine there might be some, if you will, amiable contention, particularly in a year when so many amazing products were introduced and the advances in technology were so impressive.

George Schaub Posted: Aug 29, 2014 0 comments

The Technical Image Press Association (TIPA) member magazines recently convened for their General Assembly to vote for the best photo and imaging products launched by the industry in the last 12 months. The voting took place during the General Assembly that was held in spring, 2014, in Vancouver, Canada.

George Schaub Posted: Aug 19, 2014 0 comments

In this article we’ll be exploring various in-camera creative options. Today’s cameras contain microprocessors that are like having a custom photo lab and graphic art studio built-in. In the color realm they allow you to choose color saturation (vividness), neutralize or enhance color casts (white balance) and even create custom color renditions to match every subject and scene. Drive modes allow you to capture fast action “in a hurry” and pick out the best frame, aiding you in getting the best sports shots you ever made.

George Schaub Posted: Aug 15, 2014 0 comments

Being in general a wide to moderate tele-zoom kind of guy, I have found myself occasionally frustrated by lacking a long zoom or tele prime when shooting in the great outdoors. There are some scenes and places that cry out for a longer focal length, and it’s not from laziness but more accessibility that creates the need.

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George Schaub Posted: Aug 06, 2014 Published: Jul 01, 2014 0 comments

There’s nothing like a trip to open your eyes afresh. Whether it’s across the state or in a new city or to far-flung places around the world, our minds react to the newness of it all and our photography follows accordingly. As a parable, when in New York my office is quite close to the Empire State Building, and when I walk by on my way home I see dozens of people pointing their cameras straight up or angling for a good view. I sometimes forget just what might have caught their eye—then I remember the grand old building that is such a NYC landmark. It’s something I walk by nearly every day, and I don’t even bother to look up. For others, though, it’s an amazing site worthy of a photo, and that’s because their eyes are open to what’s new around them.

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