George Schaub
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News
George Schaub Oct 28, 2004 0 comments

Westcott has recently made a new addition to its line of Soft Box Light Modifiers
by introducing the New Masters Brush. The New Masters allows users to create more
defined shadowing, which enhances depth and adds contour.



Westcott worked directly on the design with Master Photographer Ken Cook, a third
generation family studio owner with over 50 years of experience. The specially
designed multi layer front panel along with the Barn Door and internal baffle
creates a 2 f-Stop differential between the center or the heart of the light and
the outer edges. This allows users to achieve the lighting patterns created by
the old Masters of Photography using split, broad and short lighting, including
all the variations of Rembrandt and Butterfly Lighting.
...

Accessories
George Schaub Feb 01, 2010 0 comments

The latest manifestation of desktop back-up devices from Western Digital, the My Book Studio Edition II, makes what might have seemed to some as a difficult task—backing up and retrieving image and other files—quite easy.

George Schaub Blog
George Schaub Jan 04, 2013 6 comments
If you were a detective you would look for motive as a prime clue as to who did the deed, but how many times have you really thought about your own motivation for making photographs? The mystery all photographers eventually attempt to solve is: just motivates me to make pictures and to process images in my own unique way? Kind of like trying to figure out the meaning of life, I guess, and using your photography to help you answer a small part of that question.
Newsletter
George Schaub Jan 30, 2007 0 comments

What Happened to My Images ??!!



Corrupted Disks and Rescue Strategies

by George Schaub

I am not sure if it's happened to you, but it's happened to me.
After having spent an afternoon shooting with my digital camera everything suddenly
stopped. While the counter in my camera LED showed that I hadple...

Editor's Notes
George Schaub Sep 01, 2008 0 comments

There's no doubt that digital allows you to blithely shoot away without concern for film and processing expense and to record every possible angle and compositional permutation, with bracketing to boot. In that, it has freed the image from the implied cost of every snap of the shutter--not to worry, you paid for most of that up front. Now what you get to spend is time...

Editor's Notes
George Schaub Feb 07, 2014 Published: Jan 01, 2014 1 comments
These days you could consider any image as a special effect, what with the massive amount of processing that goes on inside the camera prior to it being written on the memory card. But that’s pretty much assumed and not even considered “special” anymore.
Newsletter
George Schaub Apr 12, 2005 0 comments

For those who have been working with the latest digital cameras--both
integral and interchangeable lens types--you've probably seen an
option called Raw among your file formats. Unlike JPEG and TIFF, Raw is not
an acronym and therefore we don't capitalize it, and is just what it states--the
"raw" image date received by the sensor and digitized within the
microprocessor of the camera. It is not "raw" in the sense that
it is unfettered or unrecognizable, but it does take image processing software
other than what's in the plain version of some image processing programs
to see it. That Raw software converts the Raw image file format to an image
on the screen and allows you to save it to a format other than Raw--such
as TIFF or JPEG.

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Vote
George Schaub Aug 17, 2011 13 comments
Briefly comment on why you make a specific choice on memory card speed and capacity (and for the latest updates on memory card tech check our Sept. 2011 issue).
What’s your choice on memory card capacity?
I use the biggest capacity I can so I don’t run out during a shoot.
29% (69 votes)
I just shoot low res JPEGs, so any reasonable card capacity will do.
2% (4 votes)
I like to keep it limited to a max 8GB and carry a few cards... just in case.
70% (168 votes)
Total votes: 241
Vote
George Schaub Oct 17, 2011 65 comments
Please comment briefly on your shooting experience with a compact system camera.
What’s your reaction to Compact System Cameras, small mirrorless cameras with interchangeable lenses?
I am intrigued by their small size and compact lenses, but have not used one yet.
52% (46 votes)
I am unconvinced that they can match the quality and viewing experience of a DSLR format.
28% (25 votes)
I own one and am happy with image quality and viewing experience.
20% (18 votes)
Total votes: 89
Newsletter
George Schaub Aug 30, 2005 0 comments

The promise of digital imaging is that you can get one-touch corrections on
your photographs, making it easy to create the best images you can from every
picture you take. The phrase: "I won't worry about white balance,
exposure or contrast, etc....I'll fix it in Photoshop" is commonly
heard, but it isn't always the best course. If you shoot in Raw mode you
can fix anything, even exposure compensation, later, but not everyone wants
to go through the steps of working with Raw converters and all those sliders
and options. That's where the supposed magic of "auto" fixes
come into play, and yes, there are times when it can do wonders. Today, cameras
even have auto red-eye fix and amazing adjustments for backlighting problems.

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