George Schaub

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George Schaub Posted: Aug 30, 2005 0 comments

The promise of digital imaging is that you can get one-touch corrections on
your photographs, making it easy to create the best images you can from every
picture you take. The phrase: "I won't worry about white balance,
exposure or contrast, etc....I'll fix it in Photoshop" is commonly
heard, but it isn't always the best course. If you shoot in Raw mode you
can fix anything, even exposure compensation, later, but not everyone wants
to go through the steps of working with Raw converters and all those sliders
and options. That's where the supposed magic of "auto" fixes
come into play, and yes, there are times when it can do wonders. Today, cameras
even have auto red-eye fix and amazing adjustments for backlighting problems.

...

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George Schaub Posted: Jul 01, 2006 0 comments

There are quite a few differences between film and digital imaging. One main difference is that when it comes to film you are dealing with dye and density; with digital it's all a numbers game. Once exposed and developed, film has measurable and fairly fixed characteristics. With digital it's pretty much up for grabs. That's because digital images are composed of...

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George Schaub Posted: Dec 01, 2008 0 comments

Everyone has experienced the frustration of making changes to an image on the monitor until it’s just right, then seeing a print emerge only to have it too light, too dark, or, for black and white images, seeing the image color go a sickly green or other color cast. It would make sense that what you see on the monitor screen matches the print, but that’s not always or, for some, often...

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George Schaub Posted: Jul 01, 2005 0 comments

The query, "Who's your favorite photographer?" has to be among the top three icebreakers (can you name the other two?) amid photographers. It's not a popularity contest, per se, but more a seeking of what images inspire you and whose point of view you admire and, at one point in your creative work, who you might like to emulate. This might vary according to...

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George Schaub Posted: May 28, 2014 0 comments
There are times when photographers who want to make a quality print must feel like they have to be prepress technicians. There are a number of parts to the process that must be in sync for the print to match what is seen on the screen during processing. This brings up matters of calibration, profiling, profiles and color management.
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George Schaub Posted: Oct 28, 2011 Published: Sep 01, 2011 25 comments
The revised website at www.shutterbug.com is now online. This new iteration maintains all the archived stories of the past site—with postings from all our articles from over the past 12 years—plus new features that make searching easier, sharing more accessible, and now the ability for registered users to comment on all our postings. The new site is the result of hard work by numerous people from our team and we trust it will become one of your main sites for photographic news and views and research.
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George Schaub Posted: Jan 01, 2010 0 comments

As we come to the end of what could kindly be described as a challenging year, we look forward to lots of new photo developments coming in 2010. What began 170 years ago as a fairly provincial art practiced by a small group of scientists, dabblers, and entrepreneurs has turned into the most democratic of all forms of visual communication, with images made five minutes ago immediately available...

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George Schaub Posted: Sep 01, 2007 0 comments

While grammatically awkward, the headline on this column pretty much sums up how digital has changed our relationship with our prints. While many photographers have always made an effort to develop their own black and white film and make their own custom-crafted prints, quite a few less bothered making their own color prints, and only a handful might have developed their own color...

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