George Schaub

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George Schaub Posted: Sep 06, 2012 Published: Aug 01, 2012 5 comments
Every year editors from photo magazines around the world gather to pick what they consider the top photo and imaging products of the year. This is no easy task, for the most part, as there are literally hundreds of products that could vie for the award in each category, and in fact each year there are some new categories that did not exist a few years ago.

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George Schaub Posted: Aug 01, 2004 0 comments

Editor's Notes

Those who practice the craft have come to a fork in the road, having to decide whether they will enter into a new form of expression or find merit in and stick with the former route. Well, as Yogi Berra once said, "When you see a fork in the road, take it!" But...

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George Schaub Posted: Aug 06, 2014 Published: Jul 01, 2014 0 comments

There’s nothing like a trip to open your eyes afresh. Whether it’s across the state or in a new city or to far-flung places around the world, our minds react to the newness of it all and our photography follows accordingly. As a parable, when in New York my office is quite close to the Empire State Building, and when I walk by on my way home I see dozens of people pointing their cameras straight up or angling for a good view. I sometimes forget just what might have caught their eye—then I remember the grand old building that is such a NYC landmark. It’s something I walk by nearly every day, and I don’t even bother to look up. For others, though, it’s an amazing site worthy of a photo, and that’s because their eyes are open to what’s new around them.

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George Schaub Posted: Jan 18, 2013 Published: Dec 01, 2012 4 comments
In this issue we offer a host of camera reports covering a wide variety of models and camera types, and this gives me a good opportunity to discuss the forms our camera tests take—lab tests and what I call “anecdotal” reports. In most cases we limit a model to one type of test, except when we feel that it rates a second look and that there’s more to add by using both approaches. We also make a decision about lab or field tests when we feel overwhelmed by new cameras coming our way, and simply don’t have the space each month to cover every one of them. Plus, we offer tests that never see the pages of the magazine that can be found under the Image Tech section of our website at www.shutterbug.com.
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George Schaub Posted: Nov 01, 2007 0 comments

To get a handle on the issue at hand we first have to define a "pro photographer." In the simplest terms, a professional is someone who makes money at what they do. But pros can also have another day job entirely, or do the odd photographic job on nights and weekends to help pay the rent. Indeed, many pro photographers started working for nothing or next to nothing...

George Schaub Posted: Feb 27, 2014 Published: Jan 01, 2014 0 comments
There are many ways to share images these days, from social networks to clouds to full-fledged e-commerce platforms. For some, simple online albuming will do, but for others it can become an involving project that puts your images on the Internet in a very engaging way. It’s not only in the personalization of the look and feel of the wrapper around your image content that can separate your site from the crowd. It’s also the ability to work cross-platform, include an e-commerce component, and allow for a “translator” that can make your site accessible to folks and even clients around the world that can add to its attractiveness and functionality.
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George Schaub Posted: Sep 01, 2010 0 comments

You can set your clock by it. A year and a half after Version XX of software comes out, Version XXI comes down the pike. But if that was all there was to do we wouldn’t have to struggle so much about deciding whether or not to upgrade; we’d just look at the new features and decide whether or not they were worth the time and money to update. But then...

George Schaub Posted: Dec 24, 2013 Published: Nov 01, 2013 0 comments
The Vanguard ABEO Pro Kit starts out as a solid carbon-fiber tripod but then adds features and functions like a removable and rotatable (vertical or horizontal) center column, a pistol grip with built-in trigger release with cable attachments for many cameras, bubble levels, 80-degree leg spread, three “feet” supports (pads, spikes, and rubber), a quick-release base plate and mechanism, and etched degree settings on the center column for those who want to do precise panoramas.
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George Schaub Posted: Aug 01, 2003 0 comments

Vario-Sonnar T*

At a street price of just under $3000 the Vario-Sonnar T* 45-90mm f/4.5 lens is not to be trifled with. It is a serious optical instrument for those who require zoom lens flexibility for their Contax 645. But those in the...

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George Schaub Posted: Oct 01, 2003 0 comments

When Velvia first burst on the scene more than 10 years back it created a revolution in the way photographers related to slide film. I remember getting my first roll into a camera in Las Vegas and immediately beating a path to Red Rock Canyon. I made a series of bracketed exposures and got...

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