George Schaub

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George Schaub | May 13, 2014 | First Published: Apr 01, 2014 | 0 comments

To say that photography is technologically driven these days is an understatement. While the miracle of being able to capture an image in and of itself is still a source of amazement to me, photography has changed so radically as of late that you need a scorecard to keep up with the game. That’s the intent of this issue, to bring you up to speed on the many developments that sit under the hood in capture, storage, and image delivery.

Editor's Notes

Testing Gear

George Schaub | Jun 29, 2014 | First Published: Jun 01, 2014 | 0 comments

This issue contains a mix of articles, including an interesting photo project, a show review of images by Garry Winogrand, and a look at the trends and opportunities of lifestyle photography, but we’ve also included numerous tests on cameras and gear that show the way toward where image capture and lighting is headed. I feel that kind of mix is a blend of the technical and the aesthetic that helps define where we are in terms of technical advancement and what Shutterbug as a magazine offers and represents. Of course, I realize that equipment is not what a great photo makes, but taking advantage of and understanding the tools at our disposal allows us to explore new avenues of our creativity.

Editor's Notes

Thanks & So Long

George Schaub | Sep 30, 2014 | 0 comments

This is my last issue as editor of Shutterbug. It has been my pleasure to work on this and other photo magazines in the Shutterbug realm for the past 14 years, and it has been for me the most fun and amazing job one could imagine. I have witnessed, and hopefully reported on faithfully and accurately, the amazing changes we all have seen in photography, as well as worked with a great group of wonderful folks at the magazine itself. In our jobs, we are only as good as the friends, colleagues, and teams we work with, and it has been my great fortune to have been associated with hard-working and dedicated people who I have always considered as friends. They helped me greatly through the fun times, and the hard times, of this job and my life.

Editor's Notes

The Art And Craft Of Lighting

George Schaub | Oct 01, 2006 | 0 comments

Photography by definition is "drawing with light." It is creating a frame around a play of light that translates to a continuous tonal image. That definition helps identify one of the most important aspects of the craft, which is first seeing and then understanding how the play of light influences the image; how it expresses the photographer's vision and creates...

Editor's Notes

The Business Side Of Photography

George Schaub | Jan 26, 2012 | First Published: Dec 01, 2011 | 0 comments

There comes a point in your photographic life when you might consider making money with your camera. It might be a life’s goal from the start, and you put the time into assisting, attending workshops, and even taking formal lessons or enrolling in a school dedicated to the craft. But more often than not it’s something that occurs to you along the way, something that sticks in the back of your mind as you lay awake at night. You consider it because of your love and dedication to making photographs, and your feeling that making a living with something you love to do would be a good way to go through life. But the question remains—just how do you get started, how do you make the transition or the first step?

Editor's Notes

The Camera World Gets Connected

George Schaub | May 21, 2013 | First Published: Apr 01, 2013 | 0 comments

I must admit to mixed feelings about the ongoing “connectedness” craze. On the one hand you have to admire technology that allows you to link the images in your camera with various mobile devices, convenient I am sure for some, and that now even lets you shoot and share at one touch of a button. On the other hand I am uncertain how this has anything to do with seeing and making quality images that speak to your instincts and feelings about the world around you. I note that some companies make this connected ability the headline of their new products, while others take it more in stride and list it as just another feature.

The Canon EOS D30 Digital SLR

George Schaub | Mar 01, 2001 | 0 comments

When they first arrived on the scene digital SLRs were well beyond the means of all but the well heeled. News organizations, sports photojournalists, government photographers, and the corporate world were the first to take advantage of the new tech...

Newsletter

The Case for Center Weighted Metering

George Schaub | Mar 27, 2007 | 0 comments

The Case for Center Weighted Metering

by George Schaub

While today's multi-pattern metering system found in most DSLRs are marvels
of technology, you'll notice that almost every DSLR also has other metering
pattern options. The two main options, with variants available on some cameras,
are center-weightedaver...

The Contax T3
Lens Shutter Plus

George Schaub | Aug 01, 2001 | First Published: Aug 01, 2000 | 0 comments

Professional photographers need a snapshot camera, too. But they require one that delivers the sharpness they have come to expect in their working cameras and a quality look and feel. Happily, there is a small, and somewhat pricey class...

News

The Contax U4R: A Handy 4 Megapixel Memo Camera

George Schaub | Feb 01, 2005 | 0 comments

If you've ever been walking down the street and a picture caught your
eye, but had no camera to capture the moment, then the small, shirt-pocket size
digicams might just be item you're seeking. A number of companies, including
Pentax, Casio and Minolta have already introduced such models, each with their
own unique feature sets. Now, Contax, a name renowned for exquisite cameras
and excellent lenses, has jumped into the fray with their own version, the U4R,
a 4-megapixel camera sporting a Carl Zeiss Vario-Tessar T* lens. Those familiar
with the amazing image clarity of this line of lenses will immediately recognize
the name; those unfamiliar with it can be assured that it is a legendary name
in optics. The camera has just under a 3x optical zoom lens, delivering the
equivalent of 38-115mm in 35mm format. There's also a digital zoom if
you need it, delivering over 400mm, but as with many digital zooms it's
really a crop into the frame, and will not deliver the quality of the prime
optics.

...

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George Schaub

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