A tree is a tree is a tree
--Max Sennett

That silent film pioneer may have been talking about why shooting movies on location in Hollywood was a good idea for the fledging film...

Don Dixon (www.dixonfilm.com) has always impressed me as the consummate professional. A contributor to two of my books, Studio Lighting Solutions and Location Lighting Solutions (Amphoto), he continues to produce a body of work that stands head and shoulders above many when it comes to originality. His digital composites never cease to amaze...

It’s easy to create a very sharp, realistic looking double matte to give your online photos an artistic presentation. All it takes is some very basic Photoshop skills and less than 10 minutes.

Stuck in traffic one day on Sunset Boulevard, Patrick Ecclesine got an idea. Thinking about the street—“twenty-four miles from the barrio to the beach,” he writes at his website (www.ecclesine.com), “through some of the poorest neighborhoods in the city to some of the richest neighborhoods in the world”—two...

Now we come to how exposure and creative photography go hand in hand.

Why would you need to change the aperture or shutter speed under different lighting conditions? Why would you want to use a fast shutter speed for one shot and a slow one for another? Why change apertures or ISO?

That goes to the heart of the photographic exposure system and is one of the most...

Just about every one of us has suffered through at least one data disaster, where we’ve lost a significant number of photos or other important files.

First off, a brief description of what Facebook is, just in case you’re one of the few people on the planet who is not already a member. Facebook (www.facebook.com) is defined as a social-networking site. It was originally designed by founder Mark Zuckerberg while he was at Harvard University as a way for Harvard students to communicate...