Pro Techniques
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Pro Techniques
Lorraine A. DarConte May 02, 2012 Published: Mar 01, 2012 4 comments
The majority of articles written (and classes taken) about wedding photography focus on taking better pictures of the bride and groom. By now, every photographer knows at least 20 poses they can compose in 5 minutes or less, plus several clever ways to make a plus-size bride look slimmer and her mother younger. But what about the rest of the wedding, such as taking better cake-cutting, bouquet-tossing, first-dancing, or champagne-toasting photos? It is at the reception where a photographer’s technical—and anticipatory—skills are most likely to come into play. Working in banquet rooms with poor lighting and questionable architecture are just two of the many challenges photographers face. With that in mind we talked with three top pros, Lisa Lefkowitz (www.lisalefkowitz.com), Cliff Mautner (www.cmphotography.com), and Kate McElwee (www.katemcelweephotography.com), who offer their experience in helping you make great wedding reception shots.
Pro Techniques
Joe Routon Jul 09, 2013 Published: Jun 01, 2013 1 comments
After a grueling three-day walk, an elderly farmer, hobbling with the aid of two gnarly walking sticks, finally arrived at the hospital in Ometepec. The long distance and oppressive Mexican heat were not his only obstacles—the insidious cataracts that were slowly robbing him of his vision made his trek a precarious journey. A young mother, who had been sightless for several years, gave birth to a child. She had nursed her, raised her, and loved her, without ever seeing her face.
Pro Techniques
Steve Bedell Oct 01, 2010 0 comments

I first met Eddie Tapp when I attended the Professional Photographers of America Judges Workshop in Atlanta in 1997. Flash forward to today when film is a niche in photography, and photographers around the world recognize Tapp as one of the premiere Photoshop/digital imaging experts in the world. He lectures and consults to individuals and corporations around the world and can be found presenting...

Pro Techniques
Chris Maher and... Sep 01, 2006 0 comments

As a young photographer, Eric Meola's first job after college was assisting Pete Turner. He got the job through the same passionate perseverance that has driven him in countless successful assignments. It helped him create a unique visual style that has carried throughout his entire career.

Shutterbug: After about 18 months of assisting Pete...

Pro Techniques
Suzanne Driscoll Sep 26, 2011 Published: Aug 01, 2011 1 comments
Is it possible to communicate through photography the energy as well as the quiet moments of rock ’n’ roll? These photos, selected by Graham Nash for the recent Taking Aim: Unforgettable Rock ’n’ Roll Photographs exhibit at the George Eastman House, answer with a resounding “yes!” Nash, of The Hollies and Crosby, Stills and Nash fame, started taking pictures long before he became famous as a musician, and few may be aware of his talents as a curator, collector, and photographer.
Pro Techniques
Barry Tanenbaum Jul 01, 2010 0 comments

The thing you’ve got to watch out for is the pilot who gets a little too into the photography.

It’s not a common occurrence, to be sure, but…“I had a pilot who almost killed me,” says Cameron Davidson, who spends a good portion of his time in the air shooting for clients and his own projects. “I have this strict rule:...

Peter K. Burian Apr 01, 2001 0 comments

In most parts of North America, March signifies the beginning of spring, but it's the April showers that bring the best flowers. By the end of this month, gardens all around us will be lavished with vibrant colors making a highly appealing...

Pro Techniques
Eric Dusenbery Feb 01, 2009 1 comments

In many ways, Florida seems like a thoroughly modern state. New developments and towering skyscrapers dot the urban contemporary landscape. Tourism display racks contain dozens of the latest amusement and attraction brochures. Each year, millions of visitors descend upon Florida to experience the beaches, theme parks, major cities, and golf courses.

However, away from the...

Pro Techniques
Anthony L. Celeste Mar 01, 2009 0 comments

It’s common to see blinking buttons and scrolling banners and other animated graphics on websites that look pretty much the same as those on every other website. I want to show you how you can do something different with animation: blur an image, then use animation to grab your viewer’s attention by bringing the blurred photo back into focus.

I’ll be using Ulead...

Pro Techniques
Peter K. Burian Jan 01, 2001 0 comments

A full 15 years have passed since the first commercially viable autofocus SLR was introduced (the Maxxum 7000) and the technology has been improved significantly since then. Even so, some photographers consider AF suitable only for snapshooting.

Joe Farace Jan 01, 2001 0 comments

It should come as no surprise to you to discover that there are few--maybe no--real secrets in photography. Instead, what you find are informed opinions based on experience blended with some stylistic preferences. The recipe for producing...

Pro Techniques
Maynard Switzer Feb 23, 2012 Published: Jan 01, 2012 1 comments
I don’t have to light up rooms or freeze fast action very often—travel photography doesn’t usually call for that, and, besides, I really prefer to shoot in natural light. Fortunately, most of the time I can, but there are instances when a flash will make the difference in a picture by narrowing the scene’s contrast range, making it possible for the camera’s sensor to capture the details in shadow and highlight areas. Often flash is the only way for me to make a picture, as I don’t have the luxury of coming back when the light is better.
Timothy Edberg Apr 01, 2005 Published: May 01, 2005 2 comments

Photos © 2004, Timothy Edberg, All Rights Reserved

"Geez, Tim, your photo gear alone is heavier than my entire backpack!" This was a fellow backpacker I met in Glacier National Park. She was exaggerating...I hope. But it is certainly true that adding a lot of photography equipment to a loaded camping backpack adds significant weight.

So why...

Pro Techniques
Steve Gottlieb Jun 01, 2007 0 comments

In the last several years, the digital revolution has completely changed how photo books and albums are created...and change has been for the better in every respect. It's out with the old--covers without images, prints painstakingly glued in or slipped into boring 4x6" sleeves, improvised captioning (often by hand), heavy pages (often with unappealing acetate...

Pro Techniques
Philip Andrews Jul 01, 2008 0 comments

If you have tried Photomerge before, don’t skip to another article; this is totally different from previous versions.