Jon Sienkiewicz

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Jon Sienkiewicz Posted: Aug 29, 2014 0 comments

Deleted images do not “go away.” Formatting a memory card does not “erase” the images. Never sell or loan a memory card unless you’re willing to share every image that’s ever been on it.

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Jon Sienkiewicz Posted: Aug 22, 2014 0 comments

Many features of Photoshop Elements can be customized to suit your liking. Surprisingly, some experienced users overlook this powerful capability. A great place to start is at the Preferences menu. This screen shot is from the Mac version, but the same concept applies to Win as well as full-blown Photoshop products.

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Jon Sienkiewicz Posted: Aug 14, 2014 0 comments

What’s proper etiquette when capturing chow with a digital camera? If you like to shoot your food, here are a couple handy tips. 

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Jon Sienkiewicz Posted: Aug 07, 2014 Published: Aug 08, 2014 0 comments

You've seen this technique used to streak lights in night scenes, right? Well, you don’t have to wait until it gets dark to join the fun. Learn how to do this easy trick and you can isolate your main subject from a crowded background.

Jon Sienkiewicz Posted: Aug 01, 2014 0 comments

The White Balance feature on your digital camera does more than advertised. Read this Easy Tip to learn how to add subtle adjustments to sunset and sunrise shots.

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Jon Sienkiewicz Posted: Jul 27, 2014 0 comments

Micro Four Thirds mirrorless camera systems promised us lenses that are more compact but fully featured. That promise has finally been fulfilled—and it took Tamron, the master of the All-in-One Zoom, to make it happen.

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Jon Sienkiewicz Posted: Jul 11, 2014 1 comments
You may have used a beauty dish in the studio. Here’s a very portable model that you’ll find hard to leave at home. It’s quite affordable, too.
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Jon Sienkiewicz Posted: Jun 25, 2014 0 comments
Beauty is as beauty does. A Leica M with a 50mm APO Summicron attached is the iconic archetype of modern digital cameras with retro design. Using it is a prodigious experience comparable to, let’s say, playing a concert Steinway grand piano, or maybe setting the hands on a Patek Philippe timepiece. I’m only guessing here, ‘cause I’ve done neither. But I did use a Leica M and 50mm APO Summicron for a week. Did they perform? Read on…
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Jon Sienkiewicz Posted: Jun 19, 2014 0 comments
If a visitor from another planet arrived on Earth and asked to see the perfect specimen of what a digital camera and lens should look like, this combination might be the best choice. In terms of design and construction, fit and feel, the Leica M with 50mm APO Summicron is nearly perfect.
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Jon Sienkiewicz Posted: Jun 05, 2014 Published: Apr 01, 2014 0 comments
We live in a world of color. Rendering a multicolored scene in monochrome, or as “black and white” (in quotes because that label is a misnomer), is a paradox. Back in the old film days, the difference between shooting color and shooting black and white was explained like this: amateurs begin with black and white, graduate to color, and when they really understand their art, go back to black and white. I subscribe to that theory, and that’s why my mission today is to warn you to never let your camera create monochrome images for you.

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