Pro Techniques
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Pro Techniques
Dave Howard Jan 01, 2001 0 comments

The concept of carrying a small camera with you at all times certainly isn't new. Street photographers from the first half of the last century, whose main work was most often done with a cumbersome tripod and large format camera...

Pro Techniques
George Schaub May 01, 2009 1 comments

For the past three summer seasons Canon has sponsored their Photography in the Parks Photo Contest, highlighting images made by photographers in our nation’s national parks.

Pro Techniques
Maynard Switzer May 07, 2012 Published: Mar 01, 2012 2 comments
What I want to capture in my photography can be expressed as the character of a place. I have to aim for images beyond “this is what it looks like here” because in my business photos have to tell stories, have to illuminate, even educate; my images should always reveal something of the culture, the history, and, most important, the lives of the people.
Pro Techniques
Jim Zuckerman Mar 01, 2009 0 comments

My biggest surprise in shooting the famous Carnival of Venice was how accommodating the costumed people were to be photographed. I had assumed that they would become quickly annoyed with all the photographers stopping them and wanting pictures, but the opposite was true. They came out just to be photographed. Some were out as early as 7am and in the sunrise lighting they posed in front of the...

Pro Techniques
Jack Neubart Nov 15, 2006 Published: Dec 01, 2006 4 comments

Changing lenses on a digital SLR subjects the interior to invasion by dust and other airborne particles. While we can avoid the problem with prudent handling, eventually we'll have to face the facts: dust will get on the sensor. The imaging sensor, whether CCD or CMOS, is a dust magnet. As soon as the camera is turned on the sensor becomes electrostatically charged. Any...

Pro Techniques
Barry Tanenbaum Dec 06, 2013 Published: Nov 01, 2013 0 comments
Chances are you won’t be photographing in the negative numbers of extreme cold that Layne Kennedy often encounters—we’re talking -15 to -30 degrees Fahrenheit—but his experience with and guidelines for cold-weather shooting can provide you with a considerable degree of comfort no matter what the temperature.
Chris Maher and... Jun 01, 2007 0 comments

Consistently achieving accurate color may be digital photography's most difficult skill to master. Shooting the same subject under different lighting conditions can cause unacceptable color variations which can be difficult and time consuming to correct later. Digital cameras have many more color balance options than film ever did, but when the ambient lighting changes from...

Pro Techniques
George Schaub Feb 01, 2009 0 comments

If you love black and white photography you should check out the tools and techniques that allow you to make customized “conversions” from your RGB digital image files.

Pro Techniques
Jay Abend Jul 01, 1999 0 comments

If you have been reading Shutterbug for some time, you're no doubt aware of the constant drumbeat of the digital photography industry. The products used to fall into two categories--expensive cameras that take frightfully bad pictures, or frightfully...

Susan K. Johnston Dec 04, 2013 Published: Oct 01, 2013 0 comments
A few years ago I was reorganizing a closet and discovered cardboard boxes tucked into a dark corner. Much to my surprise, I found dress boxes and shoeboxes filled with photographs from the 1940s and early ’50s. I had forgotten that when my father died I inherited his personal photographs. That afternoon and long into the night, I sat on the hallway floor looking at the pictures and reliving some of those moments. It was like discovering buried treasure, a forgotten family heirloom.
Pro Techniques
George Schaub Feb 24, 2014 0 comments
Tonality does not exist in a vacuum; the tones form a visual impression in terms of both their intrinsic value and their relationship to one another. The context in which they relate is called contrast, simply the difference and relationship between the light and dark values in the scene. Contrast determines the “look” of the image, and has a profound effect upon visual effects.
Jon Sienkiewicz Feb 07, 2014 Published: Jan 01, 2014 0 comments
It all began back in 1990 with a shareware program called Paint Shop. Debuting the same year as Adobe PhotoShop 1.0, comparison to that legendary product has been inescapable. Paint Shop, known as PaintShop Pro X6 Ultimate in its current incarnation, has always been associated with three characteristics: extreme affordability, sufficient power for most photo enthusiasts, and Windows-only compatibility. PaintShop Pro has continued to evolve and improve, and today offers many significant enhancements, including the ability to run smoothly on Macs using a Windows emulation program.
Pro Techniques
Barry Tanenbaum Mar 01, 2009 0 comments

Last fall I got an e-mail and a few JPEG attachments from Jody Dole, a commercial and advertising photographer whose career adventures I’ve chronicled over the years in these and other pages. “I’ve been having a good time making 19th-century cyanotype look-alike images,” Jody wrote.

Turns out, Jody had been up to more than cyanotypes. He also had a...

Pro Techniques
Jay Abend May 01, 1999 0 comments

One of the things that many good photographers struggle with is sharpness. I have spent years of my life working on getting the most tack-sharp images, and have even written a few stories for your favorite magazine explaining some of the things that I do...

Pro Techniques
Joe Farace Apr 01, 2001 0 comments

Making photographs for a model's portfolio involves much more than just using the proper posing and lighting techniques and includes all of the less glamorous and business-oriented aspects of creating these kinds of images. The...