Pro Techniques
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Pro Techniques
Jack Neubart Feb 01, 2011 0 comments

“My look is all about capturing a natural quality in the person I’m portraying,” Bil Zelman observes. “I find that strobe is very distracting for people.” That doesn’t mean that Zelman entirely shuns strobe. On the contrary, he’ll use it, but more often than not chooses available light to imbue the shot with the quality he’s after. As we’ll...

Pro Techniques
Steve Bedell Feb 01, 2011 0 comments

Eric Luden is a former executive at Ilford Photo, a noted commercial and fine art photographer, and the founder of Digital Silver Imaging, a New England lab that works exclusively in black and white. During the 1990s, he served as a consultant with Eastman Kodak’s black-and-white division before joining Ilford, where he worked for over 12 years. In 2006, he became the VP of North American...

Portraiture, Pro Techniques
Jack Neubart Sep 01, 2008 2 comments

Twenty years in business together, the team of Bohm-Marrazzo (Montclair, New Jersey-- www.bohm-marrazzo.com) comes well equipped to tackle the challenge of photographing kids and animals for their advertising clients. Experience has taught them to incorporate these highly animated subjects into the picture to make an...

Lindsay Adler Apr 21, 2014 Published: Mar 01, 2014 0 comments
A powerful portfolio involves so much more than just a strong grasp of the technical aspects of photography—it’s a complex mix of style, techniques, and intriguing ideas. Many photographers struggle to achieve a high-impact portfolio, feeling that they lack the creative spark to invigorate them and move their work forward.
Pro Techniques
Rosalind Smith Oct 01, 2003 0 comments

Bruce Myren, photographer, digital guru, and dedicated artist, is often cast in the role of the assistant who doesn't carry lights or equipment. He quietly trails into a shoot behind some of the area's top pros who don't happen to shoot...

Portraiture, Pro Techniques
Jay Abend Jan 01, 2001 0 comments

The word "portrait" has had a fairly strict definition for ages. From the days of Rembrandt and Carravagio through modern photographic masters like Richard Avedon and Irving Penn, the portrait has remained a constant. While techniques...

Jay Abend Apr 01, 2000 0 comments

If you still think of portraits in terms of main light, fill light, and key light, I think you're missing out on some fresh and exciting techniques. While the classic studio portrait is still practiced by lots of amateurs and practically every...

Pro Techniques
Clark Salisbury Nov 21, 2011 Published: Oct 01, 2011 1 comments
Ever since I was a kid, I have been fascinated with 3D viewing of photographs. In grade school, in the 1960s, the school library had a simple viewer with pairs of black-and-white stereo images. I loved to look at those over and over again.
Pro Techniques
Joe Farace Mar 01, 2002 0 comments

You know how it goes: The Art Director says, "I know you can photograph right-handed baseball players, but can you photograph left-handed ones?"

An unfortunate reality of the...

Pro Techniques
Jay Abend Nov 01, 2002 0 comments



Surreal Composites
--A great technique is to take a collection of original images and combine them to create a fanciful and surreal final image. For this other-worldly desert scene I took four original film shots of...

Maria Piscopo Apr 01, 2006 0 comments

In my workshops I often get asked, "How do you find digital clients?" I think there is a myth surrounding the word "digital." Photography clients are not really "digital" as a category to target in your marketing. Clients are hiring you to create images and, if it is commercial work, buying the use of those images. If it is consumer, wedding...

Maria Piscopo Feb 01, 2006 0 comments

As photo businesses go, David Alan Wolters (www.DavidAlanWolters.com) started out as many of our readers--a 12-year-old kid with a camera trying to find a place for himself in the world. Again, like many of us, Wolters went on to work on the high school yearbook as a photographer. Raised in the small town of Spring...

Pro Techniques
Jon Sienkiewicz Feb 01, 2010 0 comments

For all practical purposes, you can narrow your film scanning options down to four choices. There are three types of scanners: drum, flat-bed, and dedicated film scanner. The fourth alternative is to have your film scanned by a professional lab.

Pro Techniques
Jon Sienkiewicz Dec 01, 2009 0 comments

The guy at the camera store told you that a filter is “cheap insurance against fingerprints and expensive repairs” but was he really looking out for your best interests?

Pro Techniques
Jon Sienkiewicz May 01, 2010 0 comments

Many of the cameras used by Shutterbug readers use SD memory cards. SD stands for Secure Digital, and it’s the most popular type of media for digital imaging. SD has been around for so long that people use this identifier generically, and refer to all variations simply as “SD.” This practice can lead to problems. There are a couple of new kids on the block, and you should know...