Pro Techniques

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Timothy Edberg Posted: Apr 01, 2005 Published: May 01, 2005 2 comments

Photos © 2004, Timothy Edberg, All Rights Reserved

"Geez, Tim, your photo gear alone is heavier than my entire backpack!" This was a fellow backpacker I met in Glacier National Park. She was exaggerating...I hope. But it is certainly true that adding a lot of photography equipment to a loaded camping backpack adds significant weight.

So why...

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Jim Zuckerman Posted: Jun 20, 2014 0 comments
Most people find the bones of animals fascinating. Nature photographers are usually drawn to them like a magnet, and when they are in a particularly beautiful environment, they make captivating subjects. Too often, though, bones are scattered in an unattractive way or they are laying in dirt or underbrush that isn’t especially appealing. In that case, it’s a simple matter of arranging the various elements so they are more pleasing.
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Steve Gottlieb Posted: Jun 01, 2007 0 comments

In the last several years, the digital revolution has completely changed how photo books and albums are created...and change has been for the better in every respect. It's out with the old--covers without images, prints painstakingly glued in or slipped into boring 4x6" sleeves, improvised captioning (often by hand), heavy pages (often with unappealing acetate...

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Barry Tanenbaum Posted: Jul 29, 2014 Published: Jun 01, 2014 0 comments

Natural History
When Steve Gottlieb took this picture in 1985 he’d been practicing law for 10 years. Photography was his hobby, and his hometown, Washington, D.C., was his favorite subject.

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Philip Andrews Posted: Jul 01, 2008 0 comments

If you have tried Photomerge before, don’t skip to another article; this is totally different from previous versions.

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Jack Neubart Posted: Feb 01, 2011 0 comments

“My look is all about capturing a natural quality in the person I’m portraying,” Bil Zelman observes. “I find that strobe is very distracting for people.” That doesn’t mean that Zelman entirely shuns strobe. On the contrary, he’ll use it, but more often than not chooses available light to imbue the shot with the quality he’s after. As we’ll...

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Steve Bedell Posted: Feb 01, 2011 0 comments

Eric Luden is a former executive at Ilford Photo, a noted commercial and fine art photographer, and the founder of Digital Silver Imaging, a New England lab that works exclusively in black and white. During the 1990s, he served as a consultant with Eastman Kodak’s black-and-white division before joining Ilford, where he worked for over 12 years. In 2006, he became the VP of North American...

Jack Neubart Posted: Sep 01, 2008 2 comments

Twenty years in business together, the team of Bohm-Marrazzo (Montclair, New Jersey-- www.bohm-marrazzo.com) comes well equipped to tackle the challenge of photographing kids and animals for their advertising clients. Experience has taught them to incorporate these highly animated subjects into the picture to make an...

Lindsay Adler Posted: Apr 21, 2014 Published: Mar 01, 2014 0 comments
A powerful portfolio involves so much more than just a strong grasp of the technical aspects of photography—it’s a complex mix of style, techniques, and intriguing ideas. Many photographers struggle to achieve a high-impact portfolio, feeling that they lack the creative spark to invigorate them and move their work forward.
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Rosalind Smith Posted: Oct 01, 2003 0 comments

Bruce Myren, photographer, digital guru, and dedicated artist, is often cast in the role of the assistant who doesn't carry lights or equipment. He quietly trails into a shoot behind some of the area's top pros who don't happen to shoot...

Jay Abend Posted: Jan 01, 2001 0 comments

The word "portrait" has had a fairly strict definition for ages. From the days of Rembrandt and Carravagio through modern photographic masters like Richard Avedon and Irving Penn, the portrait has remained a constant. While techniques...

Jay Abend Posted: Apr 01, 2000 0 comments

If you still think of portraits in terms of main light, fill light, and key light, I think you're missing out on some fresh and exciting techniques. While the classic studio portrait is still practiced by lots of amateurs and practically every...

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Jim Zuckerman Posted: Jun 20, 2014 0 comments
Previously I discussed photographing bubble solution stretched across a frame. You can get the same swirling pearlescent colors in the spherical surface of a bubble as it’s sitting on glass. When I was experimenting with this a few years ago, I discovered that you could even blow a bubble inside a bubble and then another one inside of that. Image (#1) is a picture of a bubble in a bubble in a bubble in a bubble.
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Clark Salisbury Posted: Nov 21, 2011 Published: Oct 01, 2011 1 comments
Ever since I was a kid, I have been fascinated with 3D viewing of photographs. In grade school, in the 1960s, the school library had a simple viewer with pairs of black-and-white stereo images. I loved to look at those over and over again.
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Joe Farace Posted: Mar 01, 2002 0 comments

You know how it goes: The Art Director says, "I know you can photograph right-handed baseball players, but can you photograph left-handed ones?"

An unfortunate reality of the...

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