Pro Techniques
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Lenses, Pro Techniques
Stan Trzoniec Aug 01, 2006 0 comments

My first macro lens was the popular Nikon 60mm Micro-Nikkor. Good move, I thought, as the 60mm focal length could double as an all-purpose lens for a variety of assignments. Trouble is, when I started to get into more and more 1:1 (life-size) work, I only had 21/2" of working space between the front of the lens and my subject. The 105mm was next, sharp as a tack but again...

Rick Sammon Jun 01, 1999 0 comments

Many amateur photographers have a simple remedy for shooting in low-light conditions--they turn on their flash units and blast the hell out of a scene or subject. Well, that technique sure is effective. For a more pleasing and more creative picture...

Pro Techniques
Clint Farlinger May 01, 2006 0 comments

As I look over my favorite photographs taken through the years, a common theme intertwines many of them together: serendipity has played a major role in creating those images. Given this, I decided I wanted to be lucky more often (as luck has it, this is actually possible). Recently I read an article about the science behind luck and how luck is not random, but rather something we...

Pro Techniques
Rosalind Smith Aug 01, 2002 0 comments

With many photographers pulling
up stakes as rents soar and landlords take advantage of the burgeoning
rental market, it was a pleasant surprise to walk into the spacious studios
of Michael Indresano and Craig Orsini, two Boston photographerswh...

Pro Techniques
Sep 01, 2008 0 comments

"I've done the calculations time and again," Gomez says, "and I couldn't run my own site for anywhere near the cost."

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking...

Pro Techniques
Jody Gomez Nov 01, 2008 0 comments

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own photographs, starting off with an entry-level 35mm Canon Rebel. In short order, Gomez was installed as the official photographer for the California Junior Bull Riders...

Pro Techniques
Jody Gomez May 01, 2009 0 comments

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

Pro Techniques
Jody Gomez Sep 01, 2009 0 comments

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

Pro Techniques
Jody Gomez Oct 01, 2009 0 comments

“I’ve done the calculations time and again,” Gomez says, “and I couldn’t run my own site for anywhere near the cost.”

The photographic career of Jody Gomez started off simply enough, as a spectator parent when her son began riding steers. Frustrated by the poor quality of the pictures snapped and sold by another parent, Gomez began taking her own...

Monte Zucker Jan 01, 2006 0 comments

Paul Aresu
I had worked before with some of the other Explorers. I had even employed and trained one of them. But I had never before experienced the likes of Paul Aresu, a New York-based commercial photographer. His clients are like a who's who of dream customers. Aresu is a freestyler. He shoots just like all the commercial photographers you see in...

Monte Zucker Feb 01, 2006 0 comments

There's something about a good black and white image that makes it jump off the page. It should be simple, direct, and hit you right between the eyes. It stands on its own. It doesn't even need color to make it stand out. It has a full range of tones from a true, deep black all the way to a clear white...with detail throughout.

What kind of...

Pro Techniques
Howard Millard Apr 01, 2008 0 comments

Albert Watson's powerful vision bridges the worlds of darkroom and digital. With more than 250 Vogue covers to his credit, three award-winning books, more than 650 commercials and music videos, he is a reigning master of both stunning black and white and cutting-edge color. His advertising clients include Chanel, Levi's, Gap, and Revlon, and his editorial work ranges...

Pro Techniques
Chris Maher and... Sep 01, 2007 3 comments

An educator since the early 1960s, Jerry Uelsmann began assembling his photographs from multiple negatives decades before digital tools like Photoshop were available. Using as many as seven enlargers to expose a single print, his darkroom skills allowed him to create evocative images that combined the realism of photography and the fluidity of our dreams.

...

Pro Techniques
Barry Tanenbaum May 01, 2009 0 comments

After a while, showing wasn’t enough. Telling became the point.

And because Chris Heisey knows his Civil War, he has a lot to tell in his photographs.

Chris has been photographing Civil War battlefields for almost 20 years, and at the start he took straightforward record shots. “I’m self-taught,” he says, “and...

Pro Techniques
Scott Stulberg Jun 01, 2007 0 comments

Mirroring photos has always been one of my favorite techniques, and it is a relatively easy way to come up with some fun and creative images. Mirroring images consists of duplicating part of a photograph and flipping it around in different ways to create a mirrored effect. I use all kinds of subjects for these creations and I am constantly looking for things that would produce...