I started out my photographic career in 1980 and studied with some of the most prominent photographers of our time. I learned to previsualize my images and was rewarded with perfectly "zoned" black and white negatives. However, I was never satisfied with my black and white prints. I always wanted more and felt something was missing. I began translating the negative...

I have always been fascinated by how differently other photographers portray the same subjects that I photograph. Indeed, my office shelves are crammed with books and magazines with such images. Many of these pictures have influenced how I think about the visual world and how various photographic tools can be used. I am particularly attracted to pictures that convey something...

The scenery rolls by quickly, too quickly really, to take in the fullness of any one moment. One scene quickly becomes part of the one just rushing by, which too quickly becomes part of another. Vast stretches of farmland push against distant mountain ranges, workers labor freshly plowed and watered fields, burros pull plows, squat villages flash by, then in quick succession...

Two-time American poet laureate and Pulitzer Prize winner Stanley Kunitz collaborated with noted Boston photographer Marnie Crawford Samuelson to translate a man's life and his garden into a profound and touching union.

"Something was obsessing me to want to photograph Stanley Kunitz in that garden on Cape Cod," Crawford Samuelson says, "a chance...

The Yale University Art Gallery and Yale’s Beinecke Rare Book and Manuscript Library announced the joint acquisition of the Lee Friedlander Archive and 2000 of the photographer’s master prints. With this acquisition, the Yale University Art Gallery becomes the largest holder of Friedlander’s work by any museum, and the Beinecke Library becomes home to the preliminary work and...

For its first 160 years, photography was based on silver. Effectively all camera negatives have to be made of this metal because only silver halides are fast enough to record analog chemical images “instantaneously”—or even in a couple of minutes. But printing from the negative need not be speedy, so the door is open to several slower photochemical processes for printmaking.