Shutterbug Staff

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Shutterbug Staff Posted: Mar 24, 2015 0 comments

Phase One just released Capture One Pro 8.2, an update of its image editing and Raw conversion software that adds several new tools and color grading options.

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Shutterbug Staff Posted: Mar 19, 2015 0 comments

Adobe just announced that Adobe Camera Raw 8.8 is now available as a final release on Adobe Labs. ACR 8.8 adds Raw support for nine new cameras, including the Nikon D5500.

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Shutterbug Staff Posted: Mar 04, 2015 0 comments

Northern New Mexico offers a rich cultural mixture, great scenery, and a diverse range of environments, from desert to towering red rock formations to lush alpine meadows to deeply cut river valleys. It’s a photographer’s paradise, which is why you should consider “Taos: A Photographic Adventure Workshop” from July 11-17, 2015.

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Shutterbug Staff Posted: Mar 03, 2015 0 comments

Sony announced a variety of new Alpha E-mount lenses and converters tonight. The Sony lenses include four new "FE" full-frame E-mount lenses designed to complement Sony’s Alpha 7 mirrorless camera lineup.

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Shutterbug Staff Posted: Feb 24, 2015 0 comments

Panasonic has announced the new Lumix G 42.5mm/F1.7 ASPH./POWER O.I.S. (Optical Image Stabilization) (equivalent: 85 mm) and the Lumix G Macro 30mm/ F2.8 ASPH. / MEGA O.I.S. (equivalent: 60mm) lenses. Both lenses are designed for Panasonic’s Micro Four Thirds camera systems.

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Shutterbug Staff Posted: Feb 10, 2015 0 comments

Fujifilm North America has unveiled a new “roadmap” for its next XF lenses for its X-series cameras. You can see the Fuji lens roadmap above.

Shutterbug Staff Posted: Feb 09, 2015 0 comments

Sigma announced two new photo products ahead of the big CP+ Imaging Show in Japan: a new 24mm F/1.4 DG HSM Art lens and the dp0 Quattro camera.

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Shutterbug Staff Posted: Feb 05, 2015 0 comments

Canon just debuted the new EF 11-24mm f/4L USM ultra wide-angle zoom lens designed to deliver high quality, minimally distorted images throughout the entire zoom range. Canon says the new lens features the widest angle of view (126º05’ diagonal) ever achieved for a rectilinear full-frame Digital SLR lens, along with a minimum focusing distance of 11 inches (at 24mm).

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Shutterbug Staff Posted: Dec 19, 2014 0 comments

Our Picture This! assignment this month was Panorama and thanks, in part, to some recent technical leaps in digital cameras, we received an array of impressive panoramic images. Some were created with panoramic “sweep mode” (in-camera stitch), which has made creating a panorama as easy as pressing the button and sweeping the camera in front of the vista before you. Others were comprised of a series of images that were stitched together in software on a computer. While there was really no wrong way to do it, because the process has become so easy, many images looked very similar. On the next few pages, check out the grand panoramic images we felt really stood out from the pack.

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Shutterbug Staff Posted: Aug 29, 2014 0 comments
Our Picture This! assignment this month was Super Deep Depth of Field and readers responded with urban, nature, and landscape images that made great use of this creative technique. Depth Of Field (DOF)—the relationship of foreground to background focus in an image—is determined by three factors: lens focal length, camera to foreground subject distance, and aperture. Some readers used a variety of combinations of the big three to come up with some startling images, stills that the unaided eye cannot encompass in one “blink.” Others bypassed many of the classic techniques and relied on software to do the trick.

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