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The 45.7-megapixel D850 is Nikon’s first DSLR with an FX-format (aka full frame), backside-illuminated CMOS sensor with no low-pass filter, which is designed to shoot high-quality images and video even in low light. The D850 can capture 4K UHD at 24/30 frames per second (fps) that’s output at a full-frame width of 16:9, allowing widescreen 4K clips at a true field of view.

Back in January I reviewed Nikon's tiny Z50 mirrorless camera, an APS-C sensor format model targeted at budget-conscious photographers or those buying their first interchangeable lens digital camera. And it performed so well I was actually sad to return it. But Nikon has been busy, and within a week the new full-frame 24.3MP Nikon Z5 arrived on my doorstep to test out.

I recently had the chance to take the new Olympus OM-D E-M1 Mark II along with my regular full-frame Nikon system to Alaska and the Yukon on an outdoor shoot. Rather than test charts and pixel peeping, I focused on the real-world usability of Olympus’ new flagship mirrorless camera and its ability to get the job done as compared with a large and heavy DSLR system. 

All interchangeable lens cameras share common feature sets, with some offering higher sensitivity (ISO range), faster shutter speeds, or enhanced video capabilities. Aimed squarely at photo enthusiasts and advanced photographers who can appreciate and make use of its many creative imaging options, the Panasonic Lumix DC-G9 ($1,697, body only) stands out as a fast performer, with an astonishing framing rate and very fast autofocus acquisition time, plus many features and functions that will appeal to knowledgeable photographers who want to make use of cutting-edge processing and capture capabilities.

Ricoh recently announced the latest in their series of high quality, ultra-portable digital cameras, the GR III. Smaller than its predecessor, this new Ricoh compact camera has a 24-megapixel APS-C format CMOS image sensor, 28mm (equivalent) prime lens and a host of features normally found on professional DSLRs. 

Another year has come and gone, which means it’s time for Shutterbug to once again pick our favorite cameras and lenses of the past 12 months. With so much great photo gear to choose from in 2017, it was a difficult task. The below list though is a good summation of the cameras and lenses Shutterbug’s editors and writers most enjoyed shooting with last year.