Videos

You don’t have to speak Thai to get the humor in this TV commercial for Sony’s tiny premium RX100 IV compact camera. The ad was created to run in Thailand and uses a cumbersome “human DSLR” to highlight the key features of Sony’s RX 100 IV camera which include 16fps continuous shooting, 4K video, slow-motion capture, WiFi and NFC capability, and a blazing 1/32,000 shutter. 

National Geographic photographer Paul Nicklen says “I always wanted to go down to Antarctica and get into the water with as many leopard seals as I could.” In the viral video below, he almost got more than he bargained for when a massive leopard seal took both his camera and his head into its mouth.

Miggo has launched a Kickstarter campaign for the Pictar camera grip—an ergonomic device that enables iPhone users to take mobile photography to a whole new level thanks to an array of SLR–like external controls. The unit includes five user-programmable wheels, and an ergonomic grip for one-handed operation. 

Writer/Director Paul Ratner was doing research for his 2013 film "Moses on the Mesa,” a love story about a German-Jewish immigrant and an Acoma Pueblo woman, when he discovered a treasure trove of beautiful color photographs of native Americans. Because color film wasn’t readily available until the 1930s, many of these striking images had been colored by hand.

According to NASA Astronaut Jeff Williams, one of his favorite activities aboard the International Space Station (ISS) is taking photographs of Planet Earth. In this fascinating video from NASA Space Station Live, Williams explains the equipment he uses—including a lens selection from wide–angle to an 800mm telephoto equipped with a 1.4 multiplier.

Researchers at the Columbia University Computer Vision Laboratory are pursuing a radically different approach to photography with the design of optics and sensors applied to a large, thin flexible sheet. Rather than the conventional approach of taking photographs from a single point in space, this camera would enable image capture from any surface—regardless of shape.

If you’ve even visited the Caribbean island of St. Barts, you know that the landing approach to Gustaff III Airport is a bit hairy: Pilots have to negotiate a steep drop after a hilltop, as well as photographers looking for a dramatic shot.