How many times have you reviewed images on the computer and wished you had shot the scene with a different point of focus and depth of field? If your answer to this question is “too many to count,” the eye-opening tutorial below is just what you need.
We all strive to make photographs that stand out from the crowd, and sometimes that means camera settings and shooting techniques that stray from conventional wisdom. Another way to give images a unique look is to employ unconventional editing techniques to create an eye-catching effect.
If you’re ever tried to manually mask out a sky in Photoshop, you know that achieving a precise selection can be difficult—especially when your shot includes complex objects in the foreground. There are many methods for tackling this challenge, and today you’ll learn one of the easiest and most effective.
We always turn to photographer Jordi Koalitic when we need a fresh jolt of creativity, because he never seems to run out of ideas for capturing unique images close to home. In today’s quick episode he demonstrate five fresh hacks that you’ll definitely want to try.
Every so often we photograph a beautiful outdoor scene even though the light isn’t quite right. That’s because it’s not particularly difficult to add depth and drama to an otherwise great shot with a bit of help from Lightroom.
One of the common pitfalls with travel photography is returning home, reviewing images on the computer, and discovering they don’t look as great as they did through the viewfinder. The same thing is true when shooting landscapes, even close to home, because it’s impossible to return and find exactly the same light.
Long exposure motion-blur effects can really enhance landscape images, creating soft, flowing water and fluffy cotton-like clouds. Some photographers use expensive neutral density filter to achieve the necessary slow shutter speeds, but there’s a simple way to mimic this effect during the editing process.
There are many reasons you may want to cut out the background of a photo and create a composite image. Sometimes the goal is to replace a boring sky with something more compelling. Other times you may just want to place a portrait photo on a more interesting background.
Today’s Photoshop tutorial is all about analyzing boring photos carefully before relegating them to the trash. That’s because a drab image with good composition and a compelling subject can often be transformed into a beautiful scene with a few thoughtful adjustments in Photoshop.
It’s amazing how a basic tweak in Photoshop or Lightroom can make a huge difference in an image. Sometime all that’s required is a boost in saturation, while other times a bit more sharpness or contrast is what takes.
Photoshop’s Selection tools offer a variety of ways to improve an image. They enable you to lighten or darken one portion of a scene without affecting the rest of the image, selectively adjust colors, remove distracting elements, or cut out an object from one photo and place it on another.
Most of us have experienced the frustration of returning from a shoot, uploading our images to the computer, and discovering that some of them are darker than we’d like. There are several ways to recover shadow details in an image, and the method you’ll learn today is one of the easiest and most effective.
By now you’ve probably realized that some images look better in b&w than they do in color. You can always set your camera to monochrome, but most photographers prefer shooting in color, and making the conversion during the editing process, so they have a choice of which look they prefer.
Last week we featured a popular tutorial, explaining how to avoid common shooting errors that can be real image killers. Today were turning to the processing side of our craft, identifying six common image-editing mistakes that are easily fixed.
Today we’re not going to get into another discussion of the many advantages of Raw files compared to JPEGs. Let’s just assume that, for whatever reason, you shot a bunch of JPEG images and they look really awful.