Software How To

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Ron Leach  |  Apr 21, 2022

Every so often it’s fun to do something different so your images stand out from the crowd. In the quick Photoshop tutorial below you’ll learn an easy method for creating a convincing watercolor effect in Photoshop.

Henry Anderson  |  Apr 20, 2022

Retouching skin tones in Photoshop can be intimidating to software novices. Do too much enhancement in Photoshop and your subject's skin will look plasticky and doll-like. Do too little skin correction and you might not be able to tell the difference between the before and after pictures.

Ron Leach  |  Apr 19, 2022

Let’s say you open an image on the computer, the focus is perfect, you nailed the exposure, and composition is fine. But wait: the colors look awful. So you trash it, right? Not so fast.

Ron Leach  |  Apr 18, 2022

Upscaling photos is a common task, and there are a variety of ways to get the job done. Discussions about which method to use, however, typically revolve around how images look on the computer screen at 100% or more.

Ron Leach  |  Apr 14, 2022

Shooting with slow shutter speeds is a great way to make images that stand out from the rest—with feather-like clouds and a soft, diffused look.. In the video below you’ll learn four great shooting and editing  “secrets” for getting the job done.

Ron Leach  |  Apr 13, 2022

Adobe is constantly at work improving their software, adding powerful new features, faster performance, and streamlining the workspace. In case you haven’t had time to explore the recently released Photoshop version 23.3, the quick overview below will get you up to speed.

Ron Leach  |  Apr 12, 2022

Everyone has a unique approach to editing his or her photos. Some techniques work great, while others not so much. In the tutorial below, one of our favorite outdoor photographers details the specific workflow he uses to process his gorgeous images.

Henry Anderson  |  Apr 12, 2022

One of the best ways to make your landscape photos look more dramatic and eye-catching is to have deep shadows and rich contrast. If you weren't able to achieve this moody black look in camera, you can edit your landscape shots in Photoshop to add drama.

Ron Leach  |  Apr 11, 2022

Have you ever wondered why so many of the best landscape photos from yesteryear and today are presented in b&w? Personal preference aside, it’s a simple fact that some outdoor scenes are more compelling when rendered in monochrome.

Ron Leach  |  Apr 08, 2022

If you’ve spent any time editing images in Lightroom you know there’s a lot going on under the hood of this robust application, beyond the most commonly used tools. In the video below you’ll learn five “hidden” tricks that one pro says, “I wish I knew from day one.”

Ron Leach  |  Apr 07, 2022

Distortion is often a challenge with outdoor photos, like landscape images with tall trees, or city scenes with soaring buildings and other vertical lines. Fortunately, these distractions are very easy to fix during the editing process, as you’ll see in the quick tutorial below.

Ron Leach  |  Apr 05, 2022

The usual goal when editing our images is to emphasize the capabilities of today’s modern cameras by adjusting colors, contrast and other key variables to achieve a clean, vibrant, natural look. The Photoshop tutorial below switches things up by explaining how to give images a nostalgic appearance with beautiful vintage colors.

Ron Leach  |  Apr 04, 2022

One of the most common ways to ruin a great scene is the failure to attain proper focus. Sometimes that’s due to incorrect camera settings, while in other instances you may have simply focused on the wrong portion of the frame.

Ron Leach  |  Mar 31, 2022

Everyone has their own approach to using Lightroom, and occasionally we all make mistakes—some worse than others. In today’s important tutorial, one of our favorite image-editing experts reveals what he says is the “biggest Lightroom mistake you can make.”

Ron Leach  |  Mar 30, 2022

One of the challenges with all forms of outdoor photography is that scenes often have a wide-range of tones—often beyond the density range of your camera. The best way to deal with situations like these is editing selective portions of the image.

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