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George Schaub  |  Jun 01, 2005  |  0 comments

The annual Photo Marketing Association (PMA) Show is the US market's introduction to new products and services that will be appearing on store shelves and, increasingly, Internet sales shops in 2005. Coming on the heels of last year's photokina, the Consumer Electronics Show (CES), and the hoard of other trade shows that litter the calendar of late, this, the...

Roger W. Hicks  |  Jun 01, 2005  |  0 comments

The important thing to remember about the PMA Show is that it is the annual convention of the Photo Marketing Association. This organization exists to help sell product, whether the product in question is cameras, lenses, scanners, studio backdrops, or indeed photographs.

Pretty much by definition, this means going for the markets that are biggest or most...

Peter K. Burian  |  Jun 01, 2005  |  0 comments

Considering the overwhelming popularity of digital SLR cameras, it's understandable that all lens manufacturers are devoting their resources to this market. All of the new products--featuring entirely new designs--shown during PMA 2005 were exclusively for use with digital SLRs that employ the APS-C size sensor; these are not suitable for use with film-based...

Jack Neubart  |  Jun 01, 2005  |  0 comments

Where would our digital cameras be without batteries? And with the 2005 PMA Show coinciding with the Daytona 500, is it any wonder that speed was at the heart of battery technologies this year? The big push in rechargeable Nickel Metal Hydride (Ni-MH) battery technology focused on fast chargers, especially those with 15-minute charge cycles and faster, along with higher and...

Joe Farace  |  Jun 01, 2005  |  0 comments

What is the state of the art for imaging software? At PMA 2005 it seems concentrated at the low end (under $99) with just a few, OK maybe one product aimed at the high end. What's left is a Grand Canyon of opportunity in the middle that might just be filled with free open-source software such as The Gimp (www.gimp.org)...

Jack Neubart  |  Jun 01, 2005  |  0 comments

Surprisingly, one or two companies I'd seen at PMA the previous year were noticeably absent this time around, but in their stead were several distributors and manufacturers displaying new studio products. Mobility stood at the forefront in some booths, economical studio flash alternatives in the form of the ever popular but more modestly priced (e.g., amateur friendly)...

Frances E. Schultz  |  Jun 01, 2005  |  1 comments

Tripods are important, but for most people they tend to blur together. The most important news is always that tripods are getting lighter. There are many more companies offering carbon-fiber tripods, increasingly with magnesium-alloy metal work. And while Gitzo's Basalt range gives a more modest savings in weight, it has the same desirable "deadness"...

Peter K. Burian  |  Jan 01, 2005  |  First Published: Jan 04, 2005  |  0 comments

Although compact digicams with built-in lenses remain hot sellers, many photo enthusiasts prefer SLR cameras that accept a full line of lenses from ultra-wide to super telephoto. The majority of new models shown at photokina were digital of course, but two new 35mm SLRs were also introduced, including one that came as quite a surprise. Nikon's new professional F6 left some...

George Schaub  |  Jan 01, 2005  |  First Published: Jan 04, 2005  |  0 comments

Imagine you're a kid with a very sweet tooth in the world's largest candy store. You're allowed to roam around the halls for five days, sampling whatever strikes your fancy. You're also in one of the world's largest slam dancing parties, sharing the space with 100,000 or so other such kids. That's the feeling one can get at photokina, the...

Frances E. Schultz  |  Jan 01, 2005  |  0 comments

Versatility is the key trend in camera bags. Manufacturers, like photographers, know that any camera bag is a compromise. There are cases with compartments for a laptop computer and other digital accessories; with divider systems which lift out so the bag can double as a suitcase; with zip-off compartments so you can carry chargers and other accessories, to be removed and left in...

Roger W. Hicks  |  Jan 01, 2005  |  0 comments

The most vibrant growth sector in high-end film cameras was undoubtedly rangefinder, with a completely new model from Zeiss and two substantially revised models from Voigtländer: I have already covered Leica a la carte elsewhere.

The lenses for the new Zeiss Ikon are really exciting: Distagon 15mm f/2.8, Biogons for 21mm f/2.8, 25mm f/2.8, 28mm f/2.8, and 35mm...

Peter K. Burian  |  Jan 01, 2005  |  0 comments

During the photokina 2004 show, many new digital cameras were introduced, including many of the ultra-compact/simplified models that target snapshooters. While some of those products will sell like the proverbial hotcakes, lack of space precludes me from attempting to cover them all. Consequently, I decided to concentrate on cameras intended for the photo enthusiast, as an...

Grace Schaub  |  Jan 01, 2005  |  0 comments

Photokina is one of the photographic industry's largest and most exciting trade shows and features the very latest developments in photographic and imaging technologies from around the globe. During the course of the show, which lasts about a week, the halls of the convention center become a beehive of activity with business people buzzing around the corporate booths for a...

Frances E. Schultz  |  Jan 01, 2005  |  0 comments

The Changing Market
As of November 1st the Agfa Imaging division will be carved out of Agfa Gevaert. It will become a new independent company named AgfaPhoto. Forecasts show the new company in a very strong position. Dan Unger of Agfa U.S.A. assured me that they retained an enthusiastic commitment to film in general and black and white film in particular.

Peter K. Burian  |  Jan 01, 2005  |  0 comments

Whether you own a 35mm or digital SLR camera, a dedicated external flash unit can be a valuable accessory. Offering higher power output, and often extra features such as a bounce/tilt head, the optional units can help to produce more sophisticated flash lighting effects. Even if you already own a flash unit that's compatible with your camera, it may not support all of the...

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