Lens Reviews

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Christopher Dack  |  Sep 23, 2011  |  First Published: Aug 01, 2011

Every lens maker offers standard types of lenses: wide angle, normal, and telephoto zooms plus several primes in popular focal lengths. Although highly useful, these lenses alone do not represent the breadth of offerings available. Hidden away within the lineups of many lens makers are specialty models which, even if they aren’t suitable for one’s purposes at any given time, are fascinating not only for their unique qualities but also because they might someday be the perfect tool for a specific shooting situation.

Dan Havlik  |  May 03, 2019

What's the ultimate lens for street photography? What's the worst lens? Could the 24-70mm F/2.8 be both good and bad for shooting street? All these questions (and more) are answered in the below video from photographer Pierre T. Lambert.

Henry Anderson  |  Oct 14, 2021

Which lens is better for portraits, a 35mm or 50mm prime lens? That's a question many photographers ask and one that Mitch Lally attempts to answer in the below lens comparison portrait test.

Henry Anderson  |  Jul 21, 2021

What is the best prime lens for photography? According to photographer and YouTube star Peter McKinnon, it's the Canon RF 50mm f/1.2L USM and in the below video he tells you why.

Jon Sienkiewicz  |  Nov 26, 2021

Time to hit the Reset Button and put your notions of Image Quality on Pause. In our everyday lives as photographers we prize sharpness, saturation, acutance and absence of aberration when we idealize the images we want to capture. Now it’s time to recognize that images that are blurred, smeared, warped and otherwise traumatized can be beautiful.

Lensbaby lenses produce images that are intentionally unsharp, because optical aberrations can be beautiful. In a word, a Lensbaby turns blur into bliss.

Jon Sienkiewicz  |  Jun 20, 2019

Laowa’s newly introduced 100mm macro lens offers 2:1 reproduction ratio and a fast f/2.8 aperture. The specifications for this manual focus lens are impressive—but does it deliver, and does it deserve its $449 price tag? We put a sample (in Nikon mount) through the paces and made a couple interesting discoveries.

Jon Sienkiewicz  |  Feb 06, 2020

Laowa just released a 4mm f/2.8 circular fisheye lens in four mirrorless mounts and we’ve put one to the test. Here’s our hands-on review of this $199 fast prime.

Jon Sienkiewicz  |  Jun 16, 2023

Tamron just introduced the 11-20mm f/2.8 Di III-A RXD fast-aperture, ultra-wideangle zoom lens for the Fujifilm X-Mount, and Shutterbug was able to take it for an extended spin. Although it covers more than 105° at the 11mm focal length, it features close-focusing down to 5.9 inches, prompting us to propose that it enables a wholly new type of photographic composition: Ultra-Wide Closeup.

Jon Sienkiewicz  |  Jun 19, 2014

If a visitor from another planet arrived on Earth and asked to see the perfect specimen of what a digital camera and lens should look like, this combination might be the best choice. In terms of design and construction, fit and feel, the Leica M with 50mm APO Summicron is nearly perfect.

Jon Sienkiewicz  |  Jun 25, 2014

Beauty is as beauty does. A Leica M with a 50mm APO Summicron attached is the iconic archetype of modern digital cameras with retro design. Using it is a prodigious experience comparable to, let’s say, playing a concert Steinway grand piano, or maybe setting the hands on a Patek Philippe timepiece. I’m only guessing here, ‘cause I’ve done neither. But I did use a Leica M and 50mm APO Summicron for a week. Did they perform? Read on…

Jon Sienkiewicz  |  Jun 10, 2016

The big news about the Leica M-D (Typ 262) is what it doesn’t have. It does not have autofocus. It does not provide through-the-lens viewing. And it’s not compatible with any zoom lens. 

Joe Farace  |  Dec 01, 2009

In my heart I know that few readers can afford these kinds of expensive lenses, but there are always those who can and for the rest of us, it’s something to dream about.

Roger W. Hicks  |  Oct 01, 2005

What do you want from a 75mm f/2 lens? Whatever it is, the new APO-Summicron-M Aspheric almost certainly delivers it--except, it must be said, low cost. Perfection, or as close as modern lens design can come to it, doesn't come cheap.

For reportage, it is superb: fast, compact, and convenient. Of course, you don't normally need or expect ultimate...

Roger W. Hicks & Frances E. Schultz  |  Nov 01, 2008

If you own and use an M-series Leica, a Zeiss Ikon, or a bayonet-mount Voigtländer Bessa, Leica’s 16-18-21mm Tri-Elmar is so staggeringly desirable that it is almost easier to list the reasons for not buying one than to list its advantages—though these are easy enough to list, too. It is compact, sweet handling, sharp, contrasty, rangefinder-coupled, unbelievably convenient, and...

Henry Anderson  |  Jul 01, 2021

Last month, portrait photographer Anita Sadowska conducted a lens shootout pitting the Canon 35mm F/1.4 vs the Sigma 35mm F/1.4 vs the Tamron 35mm F/1.4. The comparison test went down to the wire with the Tamron doing well considering its affordable price and the Canon succeeding for overall image quality.

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