Lens Reviews

My 35mm f/2.8 Tokina AT-X M35 PRO DX Macro was discontinued in 2010, but I’ve always liked it because it’s small, it focuses quickly and it’s extremely sharp. It’s for Nikon cameras with APS-C size sensors and was a constant companion for my now-retired 12-megapixel Nikon D90. So I decided to see how it performed on my full-frame Nikon Df. Man, did I get a surprise!

Every year the Technical Image Press Association (TIPA), a worldwide association of photo and imaging magazine editors, meets to pick the Best of Class in a wide range of photo categories. As the sole US member of the association, Shutterbug joins editors from Europe, Asia, and Africa in the nominating, judging, and selection process. One of the most exciting aspects of photography today is the constant advancement of technology and design, and this year’s Top Products reflect that spirit and those accomplishments, including new categories of Video D-SLR and Mobile App. Editor George Schaub joins all fellow TIPA members in congratulating those selected to receive the prestigious TIPA award. (To learn more about TIPA, please visit the website at: www.tipa.com.)

Today’s computer-designed lenses are a joy to use and typically deliver high resolution and great sharpness, contrast, and color rendition. But modern premium glass isn’t always needed to make beautiful images, as you can see in the quick video below.

The decisive moment had decisively passed and I missed another great shot: While framing and reframing my zoom lens the scene changed, the sun slid behind a cloud, and people in the shot moved. I finally realized I was missing shots because I had too much gear. 

Shutterbug photographer Jordan Matter is back with another photography how-to video, offering tips on getting the most out of your 50mm lens. 

A tilt-shift lens can be thought of as a flexible visual tool in the many ways it allows you to image the world. Unlike a standard lens, even a zoom, with a set point of view enforced by stance, elevation, focal length, and, within certain limits, depth of field, the tilt-shift lens opens visual doors a “fixed” lens will not. By tilting the lens within the mount you can enhance or greatly diminish depth of field beyond the “normal” abilities of the focal length and aperture setting. By shifting the lens you can “fix” perspective distortion or exaggerate it for “trick” effects.