Lens News

The term “bokeh” is a common buzzword among photographers these days, used to describe the subjective quality of defocused areas in an scene—either behind or in front of the main subject. A popular misconception is that it’s all as simple as “a faster aperture or a longer lens gives you better bokeh.” But as you’ll see in the video below, there’s a bit more to pleasing bokeh than that.

It’s been my experience that there are a handful of special objects in the world that have developed cachet or “mojo” and are emotionally appealing to people in various fields. Some of these unique items engage our interest because they’re otherwise unassuming objects which have become associated with unusual people or events. I think of the track shoes Roger Bannister wore on May 6, 1954 when he ran the world’s first sub-4 minute mile. I think of “Brownie” and “Blackie,” two of Eric Clapton’s Fender Stratocasters. The console Sam Phillips used in Sun Studios to record Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, and Roy Orbison must drip with “mojo,” as does Pete Seeger’s banjo, no doubt.

Most photographers understand that the f/stop they choose is an important component of arriving at a correct exposure. But this setting affects other attributes of a photo that novices

LensRentals is a premier online source for photographers in the U.S. who want to rent photography, videography and lighting gear, including a wide array of accessories. They’ve shared their annual list of the most popular equipment they handle, so you can see how your arsenal stacks up. 

It's another one of those age-old questions for photographers: what's better for photographing wildlife, zoom lenses or prime lenses? In the below video, photographers Tony and Chelsea Northrup put both zooms and primes to the test while weighing the pros and cons of each.

It's almost impossible to pick one favorite lens for portrait photography, which is why pro photographer Julia Trotti has narrowed it down to two primes as her top choice(s): 35mm and 85mm. Why does she pick these two focal lengths, in particular, for shooting portraits?

The Canon RF 50mm F/1.2L USM lens retails for about $2200 while the RF 50mm F/1.8 STM lens sells for just $200. So, what's the difference between these two 50mm lenses aside from about $2K? A lot, according to Jay P Morgan of the Slanted Lens who pits the two optics against each other in a head-to-head shootout in the video below.