Lens News

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Ron Leach  |  Nov 01, 2023

The first thing most landscape photographers do upon arriving on location is open their bag and mount a favorite wide-angle lens on their camera. But using the right lens doesn't guarantee great results unless you understand the "essential" techniques for getting the job done.

Patrick Sweeney  |  Apr 11, 2016

Sometimes you want to capture expansive vistas without resorting to post-capture tricks like stitching multiple frames together; like on my latest excursion to Antarctica when I wanted a wider perspective than I achieved on an earlier visit with a 24mm lens (which transformed into a 38mm on my crop-body camera). The question I asked myself was ”how wide is “wide enough?”

Steve Bedell  |  Sep 14, 2011  |  First Published: Aug 01, 2011

I really like extreme lenses. Extremely wide, extremely fast, and extremely long lenses will all allow you to create unique images that stand out from the crowd. When I heard about the Sigma 8-16mm lens I wanted to get my hands on one and start shooting, so I asked my editor if I could borrow one from Sigma for testing. He wanted to know what I was going to do with it, so naturally I told him: take portraits. You might, as he did, find this a little odd—taking portraits with a wide-angle lens, and a very wide lens at that. After all, don’t photographers usually use long lenses for portraits?

 

Why are photographers taught to use long lenses for portraits? There are four basic tenets behind this reasoning: narrow angle of view, shallow depth of field, flattering perspective, and a comfortable working distance between you and your subject. However, flip these “rules” on their head and you’ll see why I like working with wides: wide angle of view, great potential depth of field, unique perspective, and, oddly enough, working right in your subject’s face. In short, I use the special nature of a wide lens to give my portraits a new and unique look.

Ron Leach  |  Jan 19, 2024

If you're thinking about trying you hand at wildlife photography but don't quite know where to start, the beginners guide below is just what you need. You'll pick up some great advice from an accomplished pro that will enable you to get going this weekend.

The Editors  |  Mar 31, 2015

Have you shot some great photos? Well, now’s the time to enter them in our brand new photo contest where you’ll have the chance to win two amazing prizes!

Ron Leach  |  Jan 21, 2025

Remember that macro lens you stashed in the back of your camera cabinet at the end of summer? Well, there's a lot more to closeup photography than photographing spring buds and the flowers and insects that emerge later.

Ron Leach  |  Jul 06, 2017

If you stumbled upon a rare Novoflex 600mm pistol grip “bazooka lens” at a yard sale for $17, we imagine you’d lay down your cash, grab the case, and quickly head for your car. That’s exactly what our weird lens guru Mathieu Stern did recently in Paris.

Shutterbug Staff  |  Dec 10, 2018

You’ve probably heard this one before: you should shoot portraits with mid-range lenses like an 85mm or an 100mm to create the most flattering look. Or this one: don’t shoot a portrait with a wide-angle lens because it will make a person’s face look distorted.

Jon Sienkiewicz  |  Mar 15, 2024

Canon, Nikon, Fujifilm and other top-tier camera and lens makers offer refurbished products directly to end users via special pages on their website. You can save some dough, but do you want to own a renewed product? Let's unpack this…

Roger W. Hicks  |  Aug 01, 2007

"My" Leica M8--a loaner from Leica for review--came with a 50mm f/2 bar-coded Summicron. The 18x27mm sensor turns this into a 67mm lens in 35mm terms: rather long for someone whose standard lens on 35mm has for decades been a 35mm. So as soon as I got the M8, I started using other, older lenses. There is, after all, an enormous choice, from 12mm (18mm...

The Editors  |  Jul 06, 2015

Nature photography has long captured the hearts and minds of amateur and professional photographers dedicated to capturing images of the great outdoors. Whether your passion is wildlife, landscape, or macro photography, we’d love to see examples of your best work.

Ron Leach  |  Oct 04, 2023

What do you mean you've never cleaned your lenses and the dirty sensor in your camera? After all, some of us spend a small fortune on cameras, lenses, and important photo accessories, and regular maintenance is part of the game. As one pro says, "It definitely behooves us to do everything in our power to try to extend the life of our gear as much as possible."

Ron Leach  |  Sep 08, 2016

Zeiss has just added three fast prime lenses to their Milvus line of premium manual-focus lenses for DSLR cameras—a 15mm f/2.8, an 18mm f/2.8 and a 135mm f/2 telephoto. This expands the respected Milvus line to nine lenses offering optimum image characteristics, premium coatings, smooth bokeh, and uncompromising build quality.

Roger W. Hicks & Frances E. Schultz  |  Aug 01, 2006

As we said in the review of the new Zeiss Ikon (ZI) 35mm rangefinder (April 2006 issue of Shutterbug or online at www.shutterbug.com), we received six of the seven Zeiss ZM-mount lenses announced at photokina 2004: 15mm f/2.8, 21mm f/2.8, 25mm f/2.8, 28mm f/2.8, 35mm f/2, and 50mm f/2. The 85mm f/2 (listing at $2759, plus $127 for the lens shade) still wasn't available as we...

Cynthia Boylan  |  Sep 10, 2015

Zeiss has introduced a new line of six high performance lenses designed for high-resolution DSLR cameras from Nikon and Canon.

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