Lighting How To

We all love working with available light, but sometimes a bit of illumination from a simple flash can make a world of difference in an image, even when shooting outdoors. If you’re relatively new to flash photography, this tutorial is for you.

Here’s a loosey-goosey studio lighting tutorial from Photo-Me-Ike where he tests out the new Orlit Rovelight 610 TTL system to see if it’s a viable alternative to the popular and relatively inexpensive Flashpoint (aka Godox) system.

Lou Freeman is an acclaimed fashion and lifestyle photographer with a client list that’s second to none. And in the video below, she shows how to create glamorous boudoir photos by using portable, continuous light sources.

If you’re interested in portrait photography, you’ve likely had to decide whether to shoot your subject with natural window light or artificial light from a flash or strobe. Most photographers will admit that neither is “better” than the other; they’re just different and suited for different subjects, different situations, and different tastes.

We reviewed the Profoto B1 500 AirTTL battery-powered studio light earlier this year and while we, generally, loved this portable strobe solution the one thing missing was high-speed sync. Profoto corrected that this morning by offering a new High-Speed Sync (HSS) feature to the B1 that’s available now via a free firmware update.

Light is a precious commodity in close-up and macro photography. The closer you get to your subject, the more light you lose through lens extension. Move to within inches of the subject and your camera or body may block the existing daylight. Also, the closer you get, the more depth of field you lose, so it would help to stop down. All of this translates to a need for additional light—in other words, a supplementary light source. What’s more, when shooting live critters and wind-blown plants, we may also need that light source to freeze subject movement, or at least provide shutter speeds that are fast enough to contain movement. To meet these needs, I’ve often turned to a macro ringflash and, alternatively, a macro twin flash. An economical alternative is an LED ringlight.

LED lighting is all the rage with the cool kids and why not? It’s continuous and that’s important for new photographers or anyone wishing to capture hybrid—video and still—imagery. It’s also literally cool, with no eyebrow-melting hot lights making subjects uncomfortable.