Dodging and burning is a popular editing technique used by landscape photographers to balance the tones in an image. While commonly accomplished with Photoshop, you'll learn how to get the job done in Lightroom by watching this tutorial from the PHLOG Photography YouTube channel.
This tutorial is the first installment of an eye-opening series describing conditions under which you shouldn't trust a camera's meter to deliver accurate exposures when shooting images in certain situations. Today you'll learn how much to underexpose a photo when faced with a low light, high contrast scene.
Some photographers are a bit intimidated by using off-camera flash outdoors, especially if they do most of their shooting with available light. If this sounds familiar, watch the five-minute video below and learn how to easily improve your portraiture in the field.
There are numerous “rules” of photography and some are meant to be broken—including a few of the most familiar. But as you’ll see in the eye-opening video below from a trusted pro, you can avoid sabotaging images by using an oft-ignored trick.
We often turn to Joe Edelman for simple lighting tutorials, and in the video below he’s a bit perturbed because photographers often mess up outdoor portraits by not using their reflectors properly. Follow Edelman’s simple advice and you won’t make this mistake.
Some photographers shy away from shooting portraits because they don’t own supplemental lighting equipment or they’re intimidated by the complexity involved. But today we’ll show you how easy it is to make beautiful people pictures outdoors under available light.
You bought your DSLR or high-end compact camera to shoot by available light without flash. The latest digital cameras, for the most part, are capable of producing exceptional results at high ISO settings under very dim conditions. But there are times when a little flash makes all the difference in the world.
Whether the holidays bring out your “Humbug!” or your “Ho, ho, ho!” there’s one thing you must admit: it’s the most colorful season of the year. And all of those colorful lights are just begging to be zoomed, blurred and pleasantly smeared. Here are two common techniques that are easy to try.
Many photographers either ignore or struggle with portrait photography because they think sophisticated lighting equipment, advanced skills, and a well-equipped studio are an absolute necessity. We’re going to debunk that fallacy in the straightforward tutorial below.
There I was, 20 years old behind the sideline barricade of an arena football game clutching to my now outdated Canon EOS 20D with a 200mm lens slapped on it. I raced back and forth behind the separating wall with a cluster of other photographers—feverishly snapping off images as the players sprinted up and down the field and crashed into one another and off the barriers. It was my first sporting photo assignment.
Nighttime photography opens up a lot of creative opportunities no matter where you live. That's because scenes that appear boring during the day take on a totally different look after the sun drops below the horizon. Sparkling lights add a whole new dimension whether you're shooting in the field on the street near your home.
Maybe you're already a boudoir photographer and your images look like everything else out there. Or perhaps you want to get started with an easy technique that doesn't require a studio or complicated lighting setups. In either case, the video below is for you.
We all know that photography is all about light, and even the best cameras make mistakes rendering what they "see"—yielding images that are either too bright or too dark. If, like most of us, you prefer nailing exposure in the camera (instead of fixing things in post), you've come to the right place.
You've probably heard the term "Expose to the Right" (ETTR) but do you understand the benefits of this somewhat controversial technique and know how to put it to use? Today's tutorial from the Hoffman Photography YouTube channel will get you up to speed so you can begin using ETTR today.
There are numerous reasons for poorly exposed photos when shooting in the field under difficult lighting conditions, including harsh light, dark foregrounds, and bright washed-out skies to name a few. When you're faced with challenges like these, photos often turn out to be a compete mess.