Digital Darkroom
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Digital Darkroom
Darryl C. Nicholas Aug 01, 2002 0 comments

When taking a picture of an
object, the exact background is no longer as important as it once was
because we can now change it so easily in Photoshop. For example, #1 is
a picture I recently took of a vase that I was preparing to offer...

Digital Darkroom
Darryl C. Nicholas Jun 01, 2002 0 comments

Remember in the old days how you used to tilt the easel when you made a print under the enlarger if you wanted to correct for some optical distortion? Well, there is a way to do something similar using Photoshop when you are working in the digital...

Jay Abend Apr 01, 2002 1 comments

While it's clear to every serious photographer that digital cameras will eventually replace film as we know it, there's still cause for concern with the skin tone of digital portraits.

Unless...

Chris Maher and... Mar 01, 2002 0 comments

The Internet offers photographers great opportunities to share their work with friends, family, and potential buyers. But getting your images in shape to be seen quickly and easily requires that you optimize and compress it into a JPEG format. JPEG compressed images are universally recognized by all...

Digital Darkroom
Eric Seeger Feb 01, 2002 0 comments

Pop quiz: What's the keystroke to sharpen an image in Photoshop 6.0? If you said Crtl/Cmd+S you're wrong--that's the combination for Save. Don't start guessing wildly because this is a trick question. This elementary shortcut does...

Digital Darkroom
David B. Brooks Dec 01, 2001 0 comments

The output device for most digital darkrooms has become the photo-realistic ink jet printer. The printers that are designed to produce high quality photographic image reproduction are primarily color printers. They can be used for a wider...

Digital Darkroom
Darryl C. Nicholas Dec 01, 2001 0 comments

For those of you who do pro or semi-pro shooting, you probably already know about package printing. It's when you send a negative to a lab and ask them to make up an order from it that would be something like (1) 8x10, (2) 5x7s, (2)...

Digital Darkroom
Rick Sammon Oct 01, 2001 0 comments

One of the coolest things about digital imaging is that it has changed the way we take and make pictures. Big time!

I experience this almost every time I shoot. Knowing that an...

Digital Darkroom
Darryl C. Nicholas Sep 01, 2001 0 comments

Back in the
old days when I spent most of my life in a conventional darkroom, I used
to do a fair amount of dodging and burning-in. For some strange reason
almost every picture needed some slight adjustments. As long as I was...

David B. Brooks Jun 01, 2001 0 comments

Corel Print House 2000
Although there is a large selection of consumer entry-level photo applications for Windows, there are few off-the-shelf packages for the Mac. The Corel Print House 2000 is a welcome alternative. In fact, at...

Digital Darkroom
Rick Sammon Jun 01, 2001 0 comments

As photographers,
we love to photograph colorful subjects. We sometimes travel to exotic
locations to photograph people dressed in colorful garments and costumes.
We frame brightly painted buildings in our viewfinders. We focusou...

Digital Darkroom
Jay Abend Apr 01, 2001 0 comments

Oh, what a world we live in. Cell phones the size of a pack of chewing gum, 200 channels of cable TV, the Internet and digital cameras that anyone can afford. As technology marches forward everyone seems to get all wrapped up in the hardware...

Digital Darkroom
Rick Sammon Apr 01, 2001 0 comments

The photo montage--a
picture or several pictures within a picture--has been around for decades.
In the 1930s, for example, famed Harlem photographer James Van Der Zee
created montages in camera and in the darkroom. His mostfamous...

Digital Darkroom
David B. Brooks Apr 01, 2001 0 comments

As I write this, it's just after the holidays and I'm sure many are trying out their first steps with a new computer, ink jet printer, scanner, or digital camera. Thanks to Plug-N-Play, most will have these devices working...

Darryl C. Nicholas Mar 01, 2001 0 comments

In the "old days" we kept dozens of different backgrounds in our studio. By using different colored lights on them, we could create even more different options for our portrait customers. Today all of that is mostly obsolete. It is now...