Jack Neubart

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Jack Neubart  |  Mar 08, 2016  |  0 comments

Back in the day when fixed-focal-length optics reigned supreme, the 35mm lens, along with its wider cousin, the 28mm, was known as the lens a portrait or wedding photographer would use for group or full-length portraits or, especially if it had a fast aperture, the photojournalist would use to grab street candids. Today, with our wide zooms we’re often happy enough with an f/4 maximum aperture and we tend to overlook what faster fixed-focal-length lenses could do to help our photography.

Jack Neubart  |  May 28, 2015  |  0 comments

Shutterbug was fortunate enough to secure a loan of a pre-production version of the much-anticipated EOS 5DS R DSLR for testing and we were off and running with it as soon as it arrived. You’ve no doubt read our earlier report about this camera and its nearly identical twin the 5DS, each boasting a whopping 50.6MP full-frame sensor, which makes them the world’s highest resolution full-frame DSLRs

Jack Neubart  |  Mar 13, 2015  |  0 comments

I was really excited to get my hands on Canon’s latest G-series camera, the PowerShot G7 X. In fact, I was looking for this camera to replace my current point-and-shoot because I’d wanted something that was still pocket-size, but with Raw capture, a feature lacking in my own camera. And the G7 X was a more economical alternative to a mirrorless model, which would also tempt me with its array of extra lenses and accessories.

Jack Neubart  |  May 01, 2008  |  0 comments

The expansive coverage of a 14mm lens may be more than you think you need. But you'd be surprised to discover that it reveals a world of possibilities that might otherwise escape you. While it certainly is ideal when shooting in open country, a super-wide lens can do wonders in tight quarters. To check out this lens, and along the way explore the potential of this focal...

Jack Neubart  |  Dec 01, 2005  |  0 comments

The Canon EF-S 10-22mm f/3.5-4.5 USM (16-35mm equivalent in 35mm parlance) was designed to cover the APS-C format, specifically the EOS 20D and both EOS Digital Rebels (plus future APS-C models). Canon's EF-S lenses (S = Short Back Focus) are physically matched to these cameras. This design also results in a smaller and lighter lens (3.5" long and less than 14 oz).

Jack Neubart  |  Apr 01, 2006  |  0 comments

If I could, I'd spend all my time hunting down bugs and lizards and any other critters small enough to fit inside a macro lens. Simply stated, I love macro. So I couldn't wait to put the new EF-S 60mm f/2.8 Macro lens through its paces on my Canon EOS 20D digital SLR.

 

As you may already know, EF-S is Canon's designation for APS-C-dedicated lenses...

Jack Neubart  |  Feb 01, 2008  |  4 comments

I've been a long-time proponent of Canon Speedlites, and also an avid follower of Metz flashes. I always liked the Metz for its sturdy quality and reliability--I'd owned a Metz potato masher (handlemount, in the old vernacular). But when I switched to the Canon EOS system, I became a devout Canon shoe-mount advocate, finding these flashes dependable and robust. I...

Jack Neubart  |  Sep 10, 2013  |  First Published: Aug 01, 2013  |  5 comments

Capture One Pro stands as the Raw converter and digital asset manager of choice among many pro photographers, notably those using Phase One backs. But this software also supports many, many other cameras, with profiles for over 250 models plus a wide range of lenses. Version 7 (V7) has some new features of note, so I checked it out to see if an upgrade from 6 is advisable, and if it might tempt users of Adobe Lightroom/ACR. For this test I ran Capture One Pro 7 on a 27” iMac under OS X 10.8 Mountain Lion, with 8GB of RAM.

Jack Neubart  |  Apr 01, 2004  |  0 comments

These days, with security tight and carryon bag restrictions even tighter, all photographers face a dilemma. In the old days you could check your cameras, albeit in very strong and secure cases, and even lock them up so no one could get their hands on your...

Jack Neubart  |  Apr 28, 2015  |  0 comments

Just as the celebrities he photographs have to reinvent themselves for every role, Patrick Ecclesine is constantly putting on new hats as a photographer.

“As photographers, we have to remember what got us here today may not work tomorrow, in the sense that we constantly have to reinvent ourselves,” Ecclesine astutely affirms. “As a photographer, you’re there to capture a moment. Well, moments change, life changes, things evolve, and so you have to be open to that and not rest on your laurels or get stuck in your ways.”

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