Jack Neubart

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Jack Neubart  |  Nov 22, 2017  |  0 comments

Norwegian Daniel Tengs sets himself apart from other extreme sports photographers in at least one key respect: he goes the extra mile, capturing snowboarders on medium format, namely the Fujifilm GFX 50S. Not exclusively, mind you, but with a certain flair so we can say his photo shoots with this format create a near mind-bending experience for the viewer. 

Jack Neubart  |  Jan 01, 2009  |  0 comments

When I shot film, I carried a number of glass filters in my camera bag to every destination. And since I was shooting slide film, I needed the effect then and there—I didn’t depend on post-processing. Now that I’m shooting digital, one would think that I no longer needed glass filters. Well, that’s a misguided notion. There is always at least one filter in my camera bag: a...

Jack Neubart  |  Jan 13, 2017  |  0 comments

For Jess Findlay, outdoor photography was a natural. Growing up in British Columbia (BC), Canada, surrounded by lush landscapes, enthralling wilderness, and birds of every feather, nature called to him every time he stepped outside, spurred on by family activities that included hiking, mountain biking, and birdwatching. As a young child, he would buy disposable cameras for family outings, and that only whet his appetite for the photographic arts. Before he knew it, he was thoroughly immersed. Nature and photography were on converging paths, meeting at a crossroads that would mark his future forever.

Jack Neubart  |  Apr 01, 2009  |  0 comments

The digital image age has raised many questions and concerns about the safety and protection of precious image files.

Jack Neubart  |  Sep 28, 2015  |  0 comments

A colorful dragonfly alighted on a tree branch adjacent to the patio, so I went inside to grab my Nikon D300 and attached a Tamron 70-300mm lens. With strong backlighting, flash fill was mandatory, so I added an SB-900 speedlight to the mix.

Jack Neubart  |  Aug 02, 2012  |  First Published: Jun 01, 2012  |  2 comments

CES is not a big imaging software show as evidenced by the short list of new products, though we did find a new camera profiling tool, updated monitor calibration tools, an old favorite Raw converter brought back to life under a new name, and software for editing on the fly and sharing photos.

 

ArcSoft introduced a Mac version of Perfect365. This software uses advanced facial recognition technology for one-click portrait touch-ups, letting you effortlessly adjust up to 21 individual facial features. Perfect365 allows you to add creative effects such as eye shadows, blushes, lipsticks, colored contact lenses, under-eye circle removal, and blemish removal. The software is available as a free download (www.perfect365.com) or in a premium edition ($39).

Jack Neubart  |  Oct 06, 2015  |  0 comments

Dividing his time between his New York City and Paris studios, photographer Adam Savitch specializes in still life and motion studies for advertising and editorial clients, often with an avant-garde mindset. When it comes to lighting, Savitch believes in the old adage “less is more.” He doesn’t throw a light at every nook and cranny of his tabletop sets. Instead he mostly employs only one light and finesses its effect on the subject.

Jack Neubart  |  Jun 01, 2006  |  0 comments

The obvious big news at this year's show was the "proliferation" of pigmented ink-based printers--and with that comes a new level of inks and print longevity. We used to think that pigmented inks could not deliver the color saturation and punch of dye-based inks, but that no longer appears to be the case with this new generation of inksets with expanded...

Jack Neubart  |  Mar 01, 2004  |  0 comments

It is rare that I have so much fun using studio strobes. But such was the case with the Interfit cyberFLASH 300 ($449.99) and digitFLASH 1000 ($899.00) lights from Paterson Photographic, rated respectively at 300 and 1000 ws. And the battery-driven eFLASH...

Jack Neubart  |  Oct 01, 2007  |  0 comments

I 'll admit to it--ever since I was first introduced to the Interfit flat panel strobes a few short years back, I've become enamored of this company's products. And I still use those lights. Every year since, Interfit would introduce new lighting gear, but these newer monolights were either too big or too basic for my needs. Then along came the EXD200.

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