Jack Neubart

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Jack Neubart  |  Apr 01, 2004  |  0 comments

These days, with security tight and carryon bag restrictions even tighter, all photographers face a dilemma. In the old days you could check your cameras, albeit in very strong and secure cases, and even lock them up so no one could get their hands on your...

Jack Neubart  |  Apr 28, 2015  |  0 comments

Just as the celebrities he photographs have to reinvent themselves for every role, Patrick Ecclesine is constantly putting on new hats as a photographer.

“As photographers, we have to remember what got us here today may not work tomorrow, in the sense that we constantly have to reinvent ourselves,” Ecclesine astutely affirms. “As a photographer, you’re there to capture a moment. Well, moments change, life changes, things evolve, and so you have to be open to that and not rest on your laurels or get stuck in your ways.”

Jack Neubart  |  Feb 28, 2017  |  0 comments

Disillusioned with the practice of law, Brian Ingram found himself forced to reexamine his professional path in life. So, at a critical juncture, Ingram chose what to him was the road “less traveled by.” And, to further quote Robert Frost’s poem “The Road Not Taken,” it “has made all the difference.” Sparked by the gift of a Nikon D40, Ingram chose photography to be his new profession, and this new path revitalized his outlook on life.

Jack Neubart  |  Nov 15, 2006  |  First Published: Dec 01, 2006  |  2 comments

Changing lenses on a digital SLR subjects the interior to invasion by dust and other airborne particles. While we can avoid the problem with prudent handling, eventually we'll have to face the facts: dust will get on the sensor. The imaging sensor, whether CCD or CMOS, is a dust magnet. As soon as the camera is turned on the sensor becomes electrostatically charged. Any...

Jack Neubart  |  Jul 11, 2017  |  0 comments

Colin Smith may be known to many readers for his instructional videos and workshops, with a focus not only on Photoshop but also Lightroom. Aside from still photography, he also shoots video. But he had never pursued drone photography until about four years ago.

Jack Neubart  |  Jan 20, 2015  |  0 comments

San Francisco-based commercial photographer Mark Holthusen is constantly reinventing himself, rarely sitting still, except for the occasional interview. When he’s not shooting ads for one client or another using the latest photo and video gear, he’s creating theatrical productions or embarking on personal, photojournalistic projects, always seeking new outlets for his creativity.

Jack Neubart  |  Dec 28, 2012  |  First Published: Nov 01, 2012  |  1 comments

Gitzo turned the tripod world upside down—literally—when the company first introduced the Traveler, a true travel tripod. This lightweight carbon-fiber support was unusual for its inverted, contortionist-like design, where the legs fold back 180 degrees on themselves and the leg tips hug the ball head, making it more compact.

Jack Neubart  |  Mar 20, 2015  |  0 comments

Jim Karageorge has been an eyewitness to the changing face of corporate photography over the years. “Today, the stories that corporate clients want to tell are different from those we told in the past,” Karageorge, a corporate/industrial photographer, observes. “They are geared more toward the human factor than the technologies.”

Jack Neubart  |  Aug 19, 2013  |  0 comments
As the sun was setting, I continued to photograph the historic Neue Synagogue in the eastern sector of Berlin, making sure to include the sightseeing boat on the river. I set my framing and exposure to capture some detail in the foreground but in the process I lost any hint of the colorful tapestry I’d hoped to capture in the sky. I took another exposure, this time underexposing by 1 stop. There was more of a hint of sunset, but still not as much as I’d wanted and I’d lost the boat, which had moved on. Worse yet, the foreground was now muddy, practically entirely devoid of detail.
Jack Neubart  |  Aug 21, 2012  |  First Published: Jul 01, 2012  |  2 comments

It wasn’t too long ago when the use of a CMOS chip in a digicam was a sign of a cheapie camera. Well, the tide has changed, with CMOS today reflecting the highest level of capture in our newest digital point-and-shoots. Yes, there continue to be CCD holdouts even in innovative designs, but the writing is on the wall, spelling an eventual fade-out of the Charge-Coupled Device. And today, the Backside Illuminated (BSI, or simply “backlit”) CMOS sensor is slowly but surely moving into center stage—at least among small-sensor point-and-shoots, for improved light reception at the sensor, hence clearer, tonally fuller, and more detailed images. We’re also seeing quite a few long-zoom models and more GPS-enabled cameras, with a digital compass to boot, mostly in travel/outdoors-oriented designs. The “rugged” category continues to grow, as well as features such as sweep panorama mode (just swing around with your finger continually on the button) and touchscreen displays. But perhaps the new feature that stands out most is Wi-Fi capability. One camera is even Android-powered. The latter may not be smartphones, but they certainly appear to be the smart way to go for the wireless generation. With those trends in mind here’s our roundup of the digicam class of 2012. (Please note that this report contains both cameras on the market as of spring 2012 and those announced to be available when this article goes to press. Check with the various manufacturers for current availability.—Editor)

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