Jack Neubart

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Jack Neubart  |  Aug 16, 2016

Tom Oldham has been shooting portraits for 20 years and is today widely known for his expertise in medium format photography, notably with Hasselblad camera systems. He began his freelance career at the age of 29, having worked as a technician at the Plymouth College of Art for a few years after completing his studies there.

Jack Neubart  |  Dec 01, 2008

Camera metering systems are great. No doubt about it. But there are times when you might want to expand your metering options, such as for flash or strobe studio and outdoor photography, for really tricky light and when you want to make a number of measurements within a scene, that a handheld meter will come in, well, handy.

Metering Opations: Reflected Light Readings

Jack Neubart  |  Dec 20, 2016

For many of us, capturing what’s directly in front of the lens is our primary concern. We’re focused on reality. Some of us, however, like to step outside the box, to be inventive and let our imaginations soar. That, in a nutshell, describes the photography of Cade Martin. Martin isn’t satisfied with simply capturing moments in time, in finite space. He prefers to warp time and space, to enter his own dimension. And that quality in his work is what draws clients to him.

Jack Neubart  |  Dec 13, 2013  |  First Published: Nov 01, 2013

The conventional camera strap does the job, but with some gear can put considerable strain on the neck, tempting you to hang your camera from the shoulder, where it may slip off or invite thieves. Like a good backpack, today’s ergonomically designed camera-carrying systems largely relieve that stress and throw in some extras in the bargain. New age straps feature a more comfortable neck/shoulder pad than found on conventional neck straps, so you’ll still be comfortable hours later, and often with a quick-release mechanism to rapidly detach the camera when the need arises. Many are of a sling design aimed at the “quick shooters” among you, and some are so innovative as to almost defy description. A few even let you comfortably and safely carry two cameras at the same time.

Jack Neubart  |  Apr 03, 2012  |  First Published: Mar 01, 2012

Andy Marcus and son Brian are second- and third-generation portrait and wedding photographers. Their New York City studio, Fred Marcus Photography & Videography (www.fredmarcus.com), continues a tradition of dedicated service established by Fred Marcus back in 1941. “Back then my dad would use a 5x7 view camera for studio work and could be seen shooting portraits in bridal salons in the prestigious Bergdorf Goodman and Saks Fifth Avenue, among other venues,” Andy recalls. “When he shot weddings, he’d bring a Speed Graphic to the event—and flashbulbs.”

Jack Neubart  |  Oct 18, 2016

Jill Freedman is not one of those names that readily rolls off the tongue when we discuss documentary photography. But it should be. Her documentary photographs are as real, as telling, as poignant as it gets. They are moments captured in a style all her own, albeit with the same measure of truth as a Dorothea Lange portrait of life during the Great Depression.

Jack Neubart  |  Dec 27, 2011  |  First Published: Nov 01, 2011

Increasingly, manufacturers are coming out with cameras and speedlights that support wireless TTL flash operation. What this means for you is a simplified approach to using dedicated flash units off camera—especially multiple speedlights, alone or mixed with other light sources. With wireless TTL you’re free to move the off-camera flash a few inches or a few feet here or there, not to mention modifying the light in any desired fashion, and all without having to recalculate exposures, use a flash meter, and link everything together with wires. The camera’s metering system does the math for you. Beyond that, wireless TTL assures you that all speedlights on and off camera will fire in sync.

Jack Neubart  |  Dec 19, 2018

For many of us, going out into the wilderness with a camera and bringing back eye-opening photographs of nature in the raw is something we can only dream of. For multi-award-winning photographer Ashleigh Scully that’s fairly commonplace.

Jack Neubart  |  Jan 01, 2008

Granted, when hand holding my Canon EOS 5D D-SLR, I prefer to use the optical viewfinder for the utmost stability. But there are many times when I'd be just as happy to view the subject on the LCD--except, of course, that this camera, unlike newer models, lacks a live view display.

Well, I've found just the device that gives my 5D that capability...

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