Ever since she started making YouTube videos, professional photographer Irene Rudnyk has received comments from some viewers who say she’s holding her camera “wrong.” In particular, the commenters have criticized how Rudnyk holds her DSLR when shooting in portrait or vertical mode.
Mattias Burling is an expert at highlighting somewhat overlooked cameras from a few years ago. He believes that many of these models are not only as good as many cameras released today, you can get them for a fraction of the price.
Lots of photographers are obsessed with gear, as in, the best gear, the most expensive gear, the newest gear. But does it really matter? Would you be able to take a great photo with a cheap camera from over a decade ago?
The high-profile photo organizing app, Carousel, was recently put on the chopping block by its developer, the popular online storage service Dropbox. By next March, the iOS and Android apps will be killed (although users’ photos will be safely stored in Dropbox.) In a blog post, Dropbox declared users data will remain secure, but many of the features that attracted photographers to the product -- shared albums, Flashbacks, etc. -- will stop functioning.
Ask any photographer to name the iconic image-makers of our time and Ansel Adams is undoubtedly near the top of their list. Ansel’s work is both aspirational and inspirational for all of us.
There's a famous line from the otherwise forgettable movie "The Godfather: Part III." It's the scene where Al Pacino, playing an aging Michael Corleone (in bad prosthetics and make-up), laments that he can't seem to get out of the family Mafia business and live the straight life. "Just when I thought I was out . . . they pull me back in," he says angrily.
Do you really need an expensive camera to take great photos? That's the question portrait photographer Miguel Quiles tackles in the below video where he compares shooting with a Sony A7R IV, which retails for around $5400, with Sony's 24-70mm G Master lens vs the Sony ZV1, a compact camera that sells for just under $650.
We have been, by and large, big fans of Canon's latest mirrorless cameras, including the recent full frame Canon EOS R and EOS RP. One area, however, has bugged us to no end. For left eye dominant shooters, using these cameras can be a bit of a nightmare.
It's an oft repeated mantra of many photographers, particularly Canon shooters: "Canon has the best color science." But is it true? That's up for some debate but a frequently cited selling point for Canon over rival brands is what some believe to be its accurate color reproduction particularly when it comes to skin tones.
Advanced mirrorless cameras are posing a serious challenge to traditional DSLRs, but the latest members of the mirror-box-brigade are fighting back—offering new cutting-edge features, awesome performance, and a wider lens selection.
Over a year ago, photographer Pierre T. Lambert ditched his Nikon DSLR and bought a Sony A7R III mirrorless camera. Then, in a popular video on his YouTube channel, he went on to detail some of things he liked about mirrorless and some of the things he didn't. Now, in 2019, he has decided to take another look at the DSLR vs Mirrorless debate.
Drone photography is here to stay, whether the government likes it or not. That’s one of the messages from an intriguing roundtable discussion piece titled “Those Daring Photographers and Their Flying Machines” in an upcoming issue of Shutterbug magazine. In the story, written by Lorin Robinson, three experienced imaging drone pilots share their thoughts on this controversial topic, in what amounts to part “state of the drone industry” and part call to arms.
Full frame digital cameras have been a dominant force in the imaging marketplace for quite some time, and as we begin 2020 “the year of perfect vision,” mirrorless cameras have clearly surpassed DSLRs in terms of new product introductions and overall sales figures. The reasons aren't hard to fathom.
Here’s a provocative short video to get you thinking today. In the 1.5-minute BBC clip below, renowned German film director and photographer Wim Wenders disparages “phone photography” and “selfies,” saying they may have killed photography as we know it.