Although Tamron makes some wide aperture, pro-grade lenses, the affordable "multi-platform" 28-300mm zoom and the "digital only" 18-200mm zoom have been their best sellers. That's understandable, since those are unusually versatile and portable lenses. Now, Tamron is marketing a newer 18-250mm Di II model, the first lens on the market with a 13.9x...
Designed specifically for Nikon and Canon D-SLRs with APS-C-size sensors, Tamron’s latest all-purpose lens is even more desirable than the previous 18-250mm Di II model.
Tamron's various 28-300mm "ultra" zooms have been best sellers since their first model of this type was introduced in 1999. Each subsequent version featured improvements and this latest "4th generation" product is the most desirable to date, since it includes a Vibration Compensation stabilizer aside from a wealth of advanced optical technology. A...
This fairly large (6.5" long, 3.3" in diameter), reasonably lightweight (32.5 oz, including removable tripod collar) macro tele covers the 24x36mm format in film or digital as well as the smaller APS-C digital format. The Di (Digitally Integrated) designation indicates that it's "optically designed for digital SLR cameras." To translate the remainder...
Long considered the focal-length sweet spot for macro work, the 60mm focal length of the new Tamron 60mm f/2 lens ($569 MSRP) converts out to 96mm for Canon and 90mm for Nikon APS-C D-SLRs.
Because of the increasing number of D-SLRs with full-frame sensors, Tamron is upgrading several of their multi-platform lenses to the Digitally Integrated standard. The most recent model, the 70-200mm f/2.8 Di, is optimized for D-SLRs regardless of the sensor size but also provides outstanding results with 35mm SLRs. This zoom has benefited from several improvements, including closer focusing...
For the first time, Tamron has incorporated an Ultrasonic Silent Drive, or USD, with full-time manual override in this zoom lens, making it a competitive technology with Nikon’s Silent Wave Motor, Canon’s Ultrasonic Motor (USM), and Sony’s Super Sonic wave Motor.
Shutterbug photographer David Dupuy is back with another video review of a popular piece of photo gear. In the video below, Dupuy tests out the Tamron SP 24-70mm F/2.8 Di VC USD G2 zoom lens at a burlesque show in New York City.
Over the past few years an amazing transformation has been taking place in photographic lens design. As a result, scores of innovative new interchangeable lenses have recently been announced by major camera manufacturers, and by optical specialty companies such as Sigma, Tamron, and Tokina.
Using a vintage SLR lens on a DSLR can be a fun and, occasionally, frustrating experience. (Not all the inexpensive glass you dig up on eBay is going to suit your needs.) To help you find that perfect analog match for your high-tech digital SLR, we’ve picked our ten favorite classic SLR lenses that will get you shooting timeless images with your DSLR right away.
I’m a film dinosaur—about 40% of the pictures I shoot are made on black-and white film, and my favorite analog cameras range in age from 50-100 years. For the remaining 60%, I shoot digitally, sometimes with a vintage lens attached to help capture a "retro" look.
Prime lenses, unlike zooms, provide only a single fixed focal length. Despite that limitation prime lenses can be versatile, proficient picture takers that are smaller and lighter than comparable zooms and often deliver superior image quality along with wider apertures.
Matt Granger is a photographer and educator who runs a popular photography YouTube channel. And if you’ve ever watched any of his videos, you’d know that he has lots of opinions about photography gear.
Shutterbug, a member of the Technical Image Press Association (TIPA), once again teamed up with over two dozen other member magazines from around the world to select the winners in the annual TIPA World Awards for the best photo products of 2018 in 40 different categories.