Lens Reviews

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Jon Sienkiewicz  |  May 13, 2022

The 27-ounce 90mm f/1.5 manual focus lens from Mitakon Zhongyi Optics is a handful of glass, that’s for sure. We reviewed the Speedmaster on a full-frame Sony mirrorless body and formed some strong opinions. Read on…

Jon Sienkiewicz  |  Oct 27, 2023

Sigma just began delivering the Fujifilm X mount version of their popular 100-400mm f/5-6.3 zoom.  Shutterbug had the chance to field test a sample hands-on for a few weeks to learn whether or not it's as good as people say. Here are our findings.

Jon Sienkiewicz  |  Apr 22, 2022

When we reviewed the Tamron 18-300mm f/3.5-6.3 Ultra-Zoom Lens in Sony APS-C mirrorless mount, we were truly impressed that a long-reach zoom that small (< 5 inches) had such outstanding IQ, focused to 5.9 inches and cost less than $700. But I must confess that all the while, I was eagerly awaiting the Fujifilm X version of this beauty. I finally landed a sample, and here’s what happened.

Jon Sienkiewicz  |  Nov 08, 2024

Tamron just announced the availability of a 90mm f/2.8 Macro lens for Sony E and Nikon Z full-frame and APS-C cameras. Shutterbug had the opportunity to shoot extensively with this new lens for a few weeks prior to its release. Here's our evaluation of the Tamron 90mm F/2.8 Di III Macro VXD (Model F072) and a gallery of sample images.

Jon Sienkiewicz  |  Apr 12, 2024

High-quality 10mm ultra-wideangle f/2.0 lens for way less than 200 bucks? Are you serious? We took a hard look at TTArtisan's $159 all-metal 10mm f/2 ASPH manual-manual lens for APS-C format cameras. Here's what we think.

Jack Neubart  |  Aug 16, 2013

There are two types of fisheye: circular and diagonal. The Rokinon 8mm f/3.5 Aspherical Fisheye Lens is of the diagonal type, delivering a rectangular image with cropped-sensor lenses. The lens I worked with is designed for the Nikon DX (APS-C/cropped) sensor. The APS-C version provides a 180-degree field of view. Other versions are available for other “cropped-sensor” interchangeable-lens cameras, including Micro Four Thirds. My tests were conducted using the Nikon D300.

Jon Sienkiewicz  |  Apr 02, 2021

7Artisans just released the updated Mark II version of their popular 7.5mm f/2.8 Fisheye lens and it’s about the most fun a photographer can have for $139. We borrowed an early sample in Fujifilm X mount and here’s what we discovered.

The Editors  |  Jan 05, 2017

Now that 2016 is done and dusted, we’ve had a chance to look back at all the cameras and lenses we reviewed this past year and have chosen ten of our absolute favorites. 

The Editors  |  Jan 05, 2018

Another year has come and gone, which means it’s time for Shutterbug to once again pick our favorite cameras and lenses of the past 12 months. With so much great photo gear to choose from in 2017, it was a difficult task. The below list though is a good summation of the cameras and lenses Shutterbug’s editors and writers most enjoyed shooting with last year.

The Editors  |  Jan 31, 2019

Yes, we’re posting our annual favorite cameras and lenses awards of 2018 with only a day left in January 2019, but that just means determining the best photo gear for last year was harder than usual. And it was, especially with the raft of exciting new full frame mirrorless cameras that hit the market in the second half of last year.

Jason Schneider  |  Dec 24, 2020

When Sigma decided to extend its esteemed Contemporary line of broad-spectrum lenses to include a full-frame 100-400mm long-range telephoto zoom, they handed their optical engineers a tough assignment: come up with a really long 4x zoom that delivers outstanding imaging performance and enhanced shooting flexibility in a compact, well-balanced, lightweight package optimized for handheld shooting. In other words, they wanted a lens that would expand the long tele zoom market by appealing to travelers, nature, wildlife, and street photographers, hikers, sports shooters and others daunted by the prospect of toting and hefting a ponderous telephoto zoom lens. 

Joe Farace  |  Oct 31, 2017

Sigma’s 100-400mm f/5-6.3 DG OS HSM lens ($799) is part of their Contemporary series that the company says blends “refined optical design” with “compact and lightweight construction.” The lens is available for Canon, Nikon, or Sony DSLRs. Although as a DG lens it is designed for full-frame DSLRs, it can also be used with APS-C sensor cameras, where it produces an equivalent field of view of 150-600mm.

Jon Sienkiewicz  |  Nov 20, 2020

Sigma recently introduced the 105mm f/2.8 DG DN macro lens for L mount and Sony FE mount mirrorless cameras. It focuses continuously down to life-size (1:1 reproduction ratio) at the minimum focusing distance of 11.6 inches and offers considerable versatility beyond macro applications. We took a thorough look at the Sigma 105mm f/2.8 DG DN macro lens in a Sony mount for this hands-on review.

Jon Sienkiewicz  |  Feb 09, 2017

If you’re into high quality glass, this is the kind of lens you can get lost in. Build quality is exceptional, performance is outstanding and…I’m getting ahead of myself, but you’ll see the world in a whole new way when you use this lens.

George Schaub  |  May 11, 2017

When Sigma introduced their new super-wide zoom in late 2016 I was eager to give it a try. Among their Art lens offerings, the Sigma 12-24mm f/4 DG HSM lens ($1,599, MSRP) serves as an upgrade to their 12-24mm f/4.5-5.6 (still available at an MSRP of $949) with a constant f/4 aperture; a nine-bladed diaphragm; FLD glass elements; an updated HSM (Hyper Sonic Motor) that uses 1.3x the torque for fast and smooth autofocus operation; 16 elements in 11 groups construction; and what Sigma claims is “the largest aspherical element in the industry” to minimize distortion, ghosting, and flare. The angle of view ranges from 84 to 122 degrees, with mount compatibility for Canon, Nikon, and Sigma DSLRs.

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