Mirrorless Camera Reviews

The new Olympus OM-D E-M1 Mark II is designed to hold up to inclement weather and boy did we put it to the test! During a press trip to Iceland last week, we adhered to the mailman’s creed while using Olympus’ new flagship mirrorless camera, shooting with it in rain, hail, sleet, snow and gloom of night (along with some sunshine) in this rugged but beautiful Nordic island country.

Leica is going back to the future (again) with its newest digital rangefinder, the full frame, 24-megapixel M10. With this new model, which is the follow-up to the Leica M (Typ 240), Leica has trimmed the size of the M10, making it 4mm (1/8-inch) thinner than its predecessor. Part of that size reduction is due to the fact that Leica has gotten rid of the 1080p HD movie capture mode that was available on the previous model.

The Leica M is a large and robust rangefinder camera with a magnesium-alloy chassis with top and bottom covers cut from brass blocks. All elements are carefully sealed against dust and moisture and overall offers the handling, feel, and touch one has come to associate with Leica M cameras of the past.

Leica recently announced the latest M-Series camera, a stunning anthracite gray full-frame digital rangefinder based on the Leica M which launched in September of 2012. The new Leica M-E (Typ 240) has a few welcomed upgrades and a nice surprise—a lower price. In fact, the new Leica M-E, priced at $3995 (body only), is the lowest-price full-frame Leica camera on the market.

Leica just unveiled a new M-series digital camera, the M10-D. It’s an exciting blend of Leica’s oldest, most basic technology combined with today’s most modern, most advanced capabilities. It’s a camera with a dual personality, and although that’s not the meaning behind the “D” in its name, it very well could be. Shutterbug spent some time using an early sample before its release. Here’s the rundown on the new M10-D and a hands-on user report.

Is This the Best Leica Digital Yet?

Having owned a (used) Leica M3 since the late 1970’s I can attest to the charms of working with a Leica camera. There is a certain heft and solidity of construction that speaks to its obvious longevity, which is juxtaposed with a deftness of operation, characteristics on display in the M3 in the stroke of the film advance lever and the sound and feel of the shutter release. For those who have experienced a Leica, that “aha that’s why” moment is quite unmatched by other cameras and it spoils you, in a way. Yet, working with a Leica for me has always had a certain awkwardness—witness the film loading in the M3, at least when compared with a sleek Nikon or Canon of the day, and the rangefinder focusing system, almost arcane in the world of autofocusing speed and accuracy. Yet, that awkwardness is not a true impediment and almost becomes part of the charm.