Wildlife Photography How To

Have you ever wanted to master slow shutter speed panning for more interesting nature, wildlife, and sports/action photography? If so, we’ve got you covered with the tutorial below.

Long lenses are exciting to use because they enable us to view and capture images with far greater magnification than what we can see with our eyes. They also deliver dramatic, compressed perspectives and enable photographers to isolate subjects from busy backgrounds.

David Yarrow is an internationally acclaimed fine art/wildlife photographer known for his intimate work in remote regions of the world. We thought we’d share some of his breathtaking b/w imagery that appears in his new book, “Wild Encounters.”

Typically when we discuss photographing birds in flight, the emphasis is on techniques for capturing super sharp images. But as you’ll see in today’s tutorial, there’s another critical consideration under certain lighting conditions.

Portrait and wildlife photographers have at least one thing in common: they understand why it's essential to focus on a subject's eyes. But just because the eyes are sharp doesn't mean they sparkle and are full of life, and that's what you'll learn how to in the quick Photoshop tutorial below.

Sometimes you come across a great scene, apart from the fact that two or more objects in the frame are too close together for an ideal composition. In some situations it’s possible to rectify the problem by changing your vantage point, but if that’s not possible there’s a quick editing fix.

This interesting post-processing tutorial demonstrates how to use Photoshop's Radial Blur filter with the option of Zoom to accentuate motion in a way that conveys a dynamic impression of speed. As instructor Pablo Garcia says, "this is a great choice for giving our photos a sense of movement towards the inside of the image."