Wildlife Photography How To

Have you ever spent a day in the field, thinking you captured several great photographs, only to discover on the computer that some of the images are dull, noisy, and boring? If that’s happened to you, like it has to the best of us, the following Photoshop tutorial will set you straight.

We all learn a bunch of "essential" photography rules when first starting out, and even more as we continue to expand our skills. One of the most familiar is the Rules of Thirds. Today you'll learn how to use the less familiar Rule of Odds, that can be even more beneficial when shooting wildlife and nature images.

Photographers often struggle to consistently attain fast and precise focus, sometimes getting it right while failing on other occasions. If that sounds like you, todays tutorial will set you free by demonstrating a pro technique that that's easy enough for anyone to employ .

We regularly share videos on composition techniques because proper framing is one of the most important aspects of photography. While most of these tutorials have been targeted at landscape shooters, today’s tips are all about photographing birds. 

Last year we featured some great shooting tips from bird photographer extraordinaire Tim Boyer. And today Boyer is at it again, with “seven more rules of bird photography” that will really up your game.

One common mistake when photographing action is using a shutter speed that’s too fast to convey motion. When shooting motorcycle races, for example, a high shutter speed results in tack-sharp wheel spokes, yielding static images without a sense of motion. As you’ll see in the five-minute video below, the same is true when photographing birds in flight.

Many photographers love buying new gear, in part because of all the marketing hype implying that the key to improving one's photography is a better camera and accessories. We love using great equipment as much as anyone, but this tutorial is all about seven pro hacks to that will significantly up your game when shooting in the field.