Lighting How To

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Scott Kelby  |  Aug 09, 2016  |  0 comments

Got Questions About Photography? Professional Photographer and Photoshop Expert Scott Kelby Has Got Answers.

Maynard Switzer  |  Feb 23, 2012  |  First Published: Jan 01, 2012  |  1 comments

I don’t have to light up rooms or freeze fast action very often—travel photography doesn’t usually call for that, and, besides, I really prefer to shoot in natural light. Fortunately, most of the time I can, but there are instances when a flash will make the difference in a picture by narrowing the scene’s contrast range, making it possible for the camera’s sensor to capture the details in shadow and highlight areas. Often flash is the only way for me to make a picture, as I don’t have the luxury of coming back when the light is better.

Ron Leach  |  Jan 19, 2018  |  0 comments

If you want to make photographs with impact, it’s important that they tell a story, and “speak” to the viewer. No matter how beautiful an image appears, if it doesn’t provoke an emotional response, you haven’t quite finished the job.

Steve Bedell  |  Oct 20, 2015  |  0 comments

You enter a room bustling with activity. You see models posing in front of photographers on two different sets, other models patiently sitting getting their makeup and hair done, lights and modifiers everywhere, while one petite woman seems to be in charge of this organized chaos. Welcome to a workshop with one of the premier glamour and fashion shooters of our day, Lou Freeman.

Barry Tanenbaum  |  Sep 23, 2016  |  0 comments

The imaginative, dramatic photographs of Alexis Cuarezma showcase the skills of an imaginative master of dramatic lighting.

Jim Zuckerman  |  Jun 20, 2014  |  0 comments

Previously I discussed photographing bubble solution stretched across a frame. You can get the same swirling pearlescent colors in the spherical surface of a bubble as it’s sitting on glass. When I was experimenting with this a few years ago, I discovered that you could even blow a bubble inside a bubble and then another one inside of that. Image (#1) is a picture of a bubble in a bubble in a bubble in a bubble.

Ron Leach  |  Jan 11, 2018  |  0 comments

One of the most powerful yet frequently overlooked menu options in even the most basic digital camera enables photographers to select a white balance setting that matches the color temperature of the scene being photographed.

Ron Leach  |  May 04, 2017  |  0 comments

Everyone loves to shoot outdoor portraits with natural light, but sometimes the sun and clouds simply don’t cooperate. For those of you who can’t afford expensive lighting gear to save the day, there’s a cheap and effective solution that works wonders in a variety of situations.

Ron Leach  |  Feb 24, 2017  |  0 comments

Matthew Jordan Smith is a expert portrait shooter who has photographed some of the world’s most famous people in the U.S. and abroad. In the video below he explains how to make great portraits of women using a single light and an inexpensive white poster board.  

Ron Leach  |  May 16, 2016  |  0 comments

New Yorker Chris Gampat calls himself a “Headshot Photographer,” although his 10 years in the business also includes photojournalism, fashion and wedding photography in addition to portraiture. He’s also a creative, funny guy as you can see in these images from his series ‘The Secret Order of the Slice.”

Ron Leach  |  Jan 23, 2017  |  0 comments

Craig Burrows is a California-based photographer who uses his background in physics to create these amazing images that he refers to as “alternative light photography.” The photographs you see here capture the glowing wavelengths of light emitted by plants that aren’t visible to the human eye.

Ron Leach  |  Aug 17, 2016  |  0 comments

Shooting in the rain is a great way to capture some very impactful images, but without the right equipment it’s also a great way to ruin your expensive gear. In this instructional video from Matt Granger, however, you’ll learn how to get dynamic “rain” portraits on the cheap—without getting yourself or your equipment wet.

Steve Bedell  |  Oct 01, 2007  |  0 comments

There are two real reasons to use a flash bracket. The first is to raise the flash high enough above the lens so that shadows just drop behind the subject instead of off to one side. When keeping a suitable distance from the background, the shadow will usually just disappear. The second is to eliminate the dreaded "redeye" caused by the flash being too close to the...

Jon Sienkiewicz  |  Oct 16, 2012  |  First Published: Sep 01, 2012  |  3 comments

It’s a good thing that early photographers didn’t have to pass through airport security with their flash equipment. The pyrotechnics they used to light a scene would surely have merited more than a pat down. Many years ago, long before the flash tube or flashbulb, a century or so before the Flashcube, cameramen used a flash powder called thermite.

Ron Leach  |  May 02, 2016  |  0 comments

Have you ever been on location with a beautiful model and great scenery, only to be foiled by a drab, overcast sky? In this two–minute video, celebrity/sports photographer David Bergman explains how to combine creative color-balance control with off–camera flash to get some stunning results on a gray day in Belize.

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