DSLR Reviews

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Dan Havlik  |  Apr 05, 2016  | 

We took the new 20.8MP Nikon D5 full frame DSLR for a spin in New York City last week, putting it to the test as we captured nude and semi-nude dancers in Times Square and other locales. Our mission was to test three main features of the Nikon D5: its ability to track dancers at high speed while firing off 12 frames per second bursts; it’s ability to capture subjects in low light at extremely high ISOs; and its ability to lock in focus in near total darkness.

The Editors  |  Jan 05, 2017  | 

Now that 2016 is done and dusted, we’ve had a chance to look back at all the cameras and lenses we reviewed this past year and have chosen ten of our absolute favorites. 

The Editors  |  Jan 05, 2018  | 

Another year has come and gone, which means it’s time for Shutterbug to once again pick our favorite cameras and lenses of the past 12 months. With so much great photo gear to choose from in 2017, it was a difficult task. The below list though is a good summation of the cameras and lenses Shutterbug’s editors and writers most enjoyed shooting with last year.

The Editors  |  Jan 31, 2019  | 

Yes, we’re posting our annual favorite cameras and lenses awards of 2018 with only a day left in January 2019, but that just means determining the best photo gear for last year was harder than usual. And it was, especially with the raft of exciting new full frame mirrorless cameras that hit the market in the second half of last year.

George Schaub  |  Sep 30, 2011  | 

The SD1 is Sigma’s new flagship SLR system. It uses a brand new sensor with Foveon technology and a nominal resolution of 14.8 MP. This means that the camera is able to record RGB information for every single pixel. Standard digital cameras use sensors with the “classic” Bayer pattern, which means that every single pixel detects only one color information (red, green or blue) and then must undergo color interpolation.

George Schaub  |  May 01, 2008  | 

Buffs of infrared photography often go to great lengths to get the ethereal effects that define their images. Now that Kodak has served notice that their high-speed black and white IR film is on the endangered species list, there will be IR film shooters everywhere looking for a way to continue their exploration of that fascinating world. In the past year we have reviewed two Fuji...

Edited by George Schaub  |  Jan 18, 2013  |  First Published: Dec 01, 2012  | 

The Sony (alpha) A57 is based on Sony’s SLT viewfinder system that uses a fixed and semi-translucent mirror. This enables viewing via a live preview on the LCD screen on the back or through the electronic viewfinder. In addition, the mirror reflects the image onto an AF sensor based on the classic phase detection system used by “normal” SLR cameras. The AF sensor works continuously because there is no moving mirror system to cover the sensor when the picture is taken. This aids in continuous shooting speed and when recording videos.

Edited by George Schaub  |  Jun 22, 2012  |  First Published: May 01, 2012  | 

The Sony A65 is a feature-reduced version of the company’s A77 model. It offers a nominal resolution of 24MP (just like the A77). The A65 uses Sony’s SLT system, which combines a semi-translucent mirror system and an electronic viewfinder. The semi-translucent mirror reflects a part of the light to the Phase Detection AF sensor, which is located in the penta-prism bulge on the top of the body and allows for very fast focusing. At the same time, the image sensor is able to generate a digital live preview for the LCD on the back or on the mini LCD screen of the ELV. Both monitor systems use high-resolution LCDs. The large monitor on the back offers 921,600 RGB dots; the AMOLED ELV offers 2.3 million dots for a brilliant and crisp image.

Ron Leach  |  Sep 01, 2017  | 

There’s no one camera that’s perfect for everyone. Maximum resolution is a top priority for landscape photographers, while sports shooters put a premium on high-speed image capture and processing. And for some, portability or video capabilities are key considerations.

Edited by George Schaub  |  Apr 21, 2017  | 

The new Sony A99 II is a DSLR-like Single-Lens Translucent (SLT) system with a fixed and translucent mirror system. It’s Sony’s first full-frame sensor SLT with an A-mount since the first A99, which was launched in 2012. The new camera features an electronic viewfinder system with high resolution (2.36 million RGB dots) and uses its mirror system for the AF sensor. It combines a standard AF system with a highly sophisticated image sensor AF system; it can use 79 AF areas on its dedicated AF sensor and 399 AF areas on the image sensor, resulting in very fast and reliable focusing. This combination is called “Hybrid Phase Detection AF.” The mirror system allows the user to work with an SLR-type focus system as well as a continuous live preview on the screen or electronic viewfinder.

Edited by George Schaub  |  Feb 27, 2015  | 

The Sony A77 II is the replacement for the A77, which made its debut in 2011. The A77 II uses a new image sensor with 6000x4000 pixels (same resolution as the A77) that, while sharing the same resolution as its forerunner, does have a new micro lens system that captures more light on each single pixel/diode of the sensor. This helps raise the maximum ISO to 25,600 and to 51,200 as a “push.” In contrast to some other new advanced cameras, the APS-C sensor in the Sony A77 II uses a low-pass filter to prevent moiré effects.

Edited by George Schaub  |  Apr 18, 2013  |  First Published: Mar 01, 2013  | 

The Sony A37 is an SLT system with a fixed and translucent mirror. Because of this setup it is able to produce a Live View image even while recording still images or shooting video. At the same time, the camera is able to use its Phase Detection AF system because the mirror reflects the image onto the AF sensor. This allows the use of the AF system even in continuous shooting mode. The camera offers a high-speed burst mode of up to 7 frames per second, which is a very high result for an entry-level system.

Edited by George Schaub  |  Jun 14, 2013  |  First Published: May 01, 2013  | 

The new SLT-A99 is Sony’s first full-frame camera with an electronic viewfinder. While former Sony full-format cameras like the A900 or A850 offered a standard SLR system, the new A99 offers an electronic viewfinder with extremely high resolution (2.3 million RGB dots). Due to the SLT system with fixed mirror, which allows use of a classic AF system based on phase detection, the camera is very fast and can even utilize the AF system while recording videos.

Edited by George Schaub  |  Jul 30, 2013  |  First Published: Jun 01, 2013  | 

The NEX-6 offers an APS-C-sized CMOS sensor with 16MP resolution, the Sony NEX E-mount system, a large swivel screen on the back, a high-resolution electronic viewfinder, and a Wi-Fi module for wireless data transfer or remote control. This very small system camera uses a large mode dial on the top to set up exposure modes directly instead of using the menu on the screen (unlike other NEX cameras). Directly below this mode dial there is an additional dial to change image parameters. The photographer can use this second dial and the third dial (which encircles the cursor field) to change aperture and shutter speed settings directly, which makes it as comfortable to operate as an SLR system.

George Schaub  |  Sep 07, 2011  | 

The A-35 is based on the Sony SLT system, which means the camera uses a translucent mirror system. The mirror is fixed and therefore the camera doesn’t offer an optical SLR viewfinder; instead, it uses a high resolution electronic viewfinder and an LCD monitor – just like a CSC (compact system camera).The ELV of the Sony A35 has a resolution of 1.15 million RGB dots and shows a very crisp and clear image.

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