Portrait Photography How To

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Joe Farace  |  May 06, 2015  | 

I’ve been writing about and playing with—emphasis on play—Lensbaby lenses since they were introduced in 2004 and ten years later they’re still coming up with new ideas. All their products, including the Medium Format 3G with "Marvin the Martian"-like antennae, have been interesting and the new Lensbaby Velvet 56 portrait lens not only looks like fun but appears to be the most practical Lensbaby product ever.

Barry Tanenbaum  |  May 05, 2015  | 

Boudoir is one of the fastest growing segments of the photography industry, but it’s not exactly a new thing for some pros. “We had been doing boudoir photography for a long time before that term became popular and the photography became a big thing,” Cherie Steinberg says. “We” is Steinberg and Hedley Jones, her husband and partner in CherieFoto and The Boudoir Café. Their main business “a long time before” was weddings, and many of their boudoir shoots featured engagement photographs or were sessions with brides whose weddings they’d photographed.

Joe Farace  |  May 01, 2015  | 

The reality is you can make portraits using any lens but most photographers will tell you the ideal portrait lens has a focal length in the range of 85-135mm. The first dedicated portrait lens was the 150mm f/3.3 Petzval developed in 1840, which had a 30-degree angle of view and was considerably faster than lenses of the period. It was so legendary that Lomography recently produced a new version for Canon EF- and Nikon F-mount cameras that costs $599.

Jack Neubart  |  Apr 28, 2015  | 

Just as the celebrities he photographs have to reinvent themselves for every role, Patrick Ecclesine is constantly putting on new hats as a photographer.

“As photographers, we have to remember what got us here today may not work tomorrow, in the sense that we constantly have to reinvent ourselves,” Ecclesine astutely affirms. “As a photographer, you’re there to capture a moment. Well, moments change, life changes, things evolve, and so you have to be open to that and not rest on your laurels or get stuck in your ways.”

Maria Piscopo  |  Apr 21, 2015  | 

Today’s wedding photography business uses many different self-promotional tools ranging from traditional bridal shows to social media advertising. No one photographer has the “right” way to run a wedding business; each photographer’s targeted wedding clientele, their individual photography style and business plan will dictate how differently they market and find clients.

Barry Tanenbaum  |  Mar 31, 2015  | 

Unlike landscape, portrait, wildlife, or even sports photographers, the first shots taken these days by advertising photographers on the job are almost always instantly seen and judged—by the client, the client’s representative, an agency rep, or an art director. Pressure, anyone?

Chuck Gloman  |  Mar 03, 2015  | 

As a child, I clearly remember my father taking Kodachrome images of my sister and I in the snow. I always associated childhood winter 35mm slides with the blue cast they possessed. Not understanding color temperature, I assumed photos were always blue because it was cold outside. Summer images were understandably warmer looking.

Dan Havlik  |  Feb 02, 2015  | 

Swiss photographer Sebastian Magnani’s latest photo project is pure trash, which is exactly the point. Titled “Trash Heroes,” it looks at what we, as humans, decide to throw away and why.

Barry Tanenbaum  |  Jan 02, 2015  | 

It’s welcome news to any photographer when the look of their images becomes a distinct, signature style. That’s exactly what has happened to Benny Migliorino, whose specialty is environmental and location portraits. “A lot of people say that what I’ve become known for is dramatic lighting,” Migliorino acknowledges, “but I didn’t set out to be known for that—it’s just the way I like to light, and the way I want my photographs to look.”

Steve Meltzer  |  Dec 10, 2014  | 

Good photographers are said to have a good “eye” that distinguishes them from other photographers. There’s no better way to understand this than to see how several very good photographers photograph the same subject. A case in point is a new exhibition of photographs of Marilyn Monroe titled “Inoubliable Marilyn” (“Unforgettable Marilyn”) at Paris’s La Galerie de l’Instant (December 12, 2014-February 25, 2015).

Jon Sienkiewicz  |  Dec 03, 2014  | 

Beware of these popular (and rightfully awesome) compact camera features that can ruin your holiday pics. Here are some tips about outsmarting technology to improve your photos. 

Cynthia Boylan  |  Dec 03, 2014  | 

Giving a more modern twist to tradition, a team of digital imaging specialists from the Smithsonian Institute created a 3D portrait of President Barack Obama using eight high-resolution sports cameras, six wide-angle cameras, and 50 custom-designed LED lights.

Barry Tanenbaum  |  Oct 21, 2014  | 

“You can’t go to a place like that and not be aware of the symbolism all around you,” Robert Rathe says of the northern Israeli town of Safed, where he spent a day exploring and looking for photographs.

Jon Sienkiewicz  |  Oct 02, 2014  | 

When you see a crowd of people snapping photos, can you spot the professional photographer?

Jim Corbran  |  Apr 07, 2014  |  First Published: Feb 01, 2014  | 

The idea for Phil Pantano’s photographic series, “The American Worker,” walked into his office at a local steel mill in Lackawanna, New York, where Pantano holds a day job as a computer analyst. The man who came through the door was Jay “Elvis” Borzillieri, a fourth-generation steelworker whose father died in the mill. It doesn’t matter to the story what Elvis stopped in for that day, but when Pantano looked into his face a flash went off in his mind.

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