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Staff Posted: Feb 15, 2012 Published: Jan 01, 2012 0 comments
Tamron and Shutterbug magazine proudly announce the winners of the Tamron Nature Photography Contest.

Nature photography has long captured the hearts and minds of amateur and professional photographers dedicated to capturing images of the great outdoors. We received over 2,000 entries and selected three outstanding images.

Congratulations to all who entered and to the three winners who will each receive a Tamron lens.

Grand Prize
Donna Pagakis - San Diego, California

POETIC SYMMETRY
“As I was leaving the park, I noticed this Great White Egret, preening itself on the reflecting pond. The lighting was magical, at the time of evening, two hours before sunset. I placed my camera on the tripod and used continuous shooting mode, to capture as many frames as possible. The RAW file was processed with Bridge, Photoshop, Photomatix and Nik Software.”

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Staff Posted: Dec 15, 2011 0 comments
On The Cover
While we don’t offer a formal “Buyer’s Guide” for this time of year we thought we’d bring you a host of gift ideas that (only) a photographer might love, including tripod heads, tabletop tripods, and the always popular gimbal mounts. And for good measure we mixed in a roundup of today’s most fashionable camera bags aimed at the distaff side and a trio of cameras that cover the gamut from advanced amateur to semipro.

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Staff Posted: Nov 21, 2011 Published: Dec 01, 2011 0 comments
On The Cover
Are you thinking of turning pro? You should go for it, but not until you read this issue first. Through our exclusive interview with Chase Jarvis and our Twitter tips for photographers, you’ll see there is a lot more to marketing yourself than in the past. Business aside, we have breaking tech news: a new archival DVD called the M-Disc. We also have tests on the latest pro equipment to help take your photography to new levels. Our cover shot, by Lindsay Adler, shows what you can accomplish with Broncolor’s Senso lighting kit for example.

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Staff Posted: Jan 27, 2012 Published: Dec 01, 2011 4 comments
As collectors of 19th century American paintings, my wife and I are very familiar with the wonderful twilight paintings of Frederic Church, Albert Bierstadt, Jasper Cropsey, Samuel Colman, and Jervis McEntee. While touring Grand Teton National Park in the fall of 2009 we passed by the overlook to Lava Creek on numerous occasions and stopped to determine the possibility for a good panoramic shot. I took several over the course of a few days but was not satisfied with the lighting conditions.
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Staff Posted: Jan 12, 2012 Published: Dec 01, 2011 8 comments
Our Picture This! assignment this month was Handheld Pan, a shooting technique that involves a long shutter speed and some sort of motion while shooting on the part of the photographer. We generally do everything we can to keep the camera steady and make sure there is no photographer-induced motion in a shot, including using image stabilized lenses, often elaborate tripods and heads, and even mirror lockup. The assignment requested just the opposite—adding motion to a shot that might include following a subject in motion across a plane, jiggling the camera to make lights record as lines rather than points, and even moving the camera in a circular motion to completely abstract the color and form.
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Staff Posted: Dec 16, 2011 Published: Nov 01, 2011 7 comments
Our Picture This! assignment this month was Industrial Design. While nothing can beat the variety and beauty of nature, where patterns and designs have their own rhythm and pace, certain objects have a beauty and grace that speak to an aesthetic that is inherently human. Products of handmade origin or the Industrial Age that satisfy the need for function while maintaining a beauty of form are sometimes taken for granted, and sometimes, with a photographer’s keen eye, transformed into sculptural objects that seem to transcend their utility. We can contemplate them less for something we would use as a tool and more as objects of wonder or beauty that appeal to a deeper aesthetic sensibility. That’s what we sought, and found, in this month’s readers’ images.
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Staff Posted: Oct 17, 2011 Published: Nov 01, 2011 1 comments
November 2011

On The Cover
This month we feature lighting tools, techniques, and tips from pros covering new gear, new lighting options, and some great lighting setups and ideas. Each of our product reviews contain tips as well and can help you decide which type of setup is best for the type of images you want to create. We cover lighting accessories as well, those modifiers that can help you make creative lighting decisions that bring a unique look to every image. Finally, we cover the wide range of wireless TTL lighting systems that can free you to make great shots in the studio, or on location. Our cover shot, by Lindsay Adler, shows just the kind of great effects you can achieve using the gear and tips featured in this special issue.

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Staff Posted: Jan 09, 2012 Published: Nov 01, 2011 100 comments
While in Kenya on business I visited the Nairobi Railway Museum, home to a variety of fantastic and rare trains from the Colonial Era, including the famed Lunatic Express. Yet little effort, if any, was made to preserve these historic treasures as they silently deteriorated in the equatorial heat and humidity. I spotted this one rusting train engine bearing the fallen Masai of Kenya nameplate (painted in Masai red) and thought it summed up the state of the museum quite well.
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Staff Posted: Nov 16, 2011 Published: Oct 01, 2011 17 comments
Composition dictates that we place a frame around the world before us. The lens we use, the depth-of-field effect we choose, and most importantly the elements of the scene we choose to include and exclude make up the final image. There are numerous compositional gambits, including sense of scale, where we include familiar elements in a scene to help establish size, distance, and, metaphorically, our sense of importance, or lack of same, of the object or subject used to establish that sense of scale.
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Staff Posted: Nov 09, 2011 Published: Oct 01, 2011 1 comments
The Denver Art Museum (DAM) is the first US venue for Robert Adams: The Place We Live, A Retrospective Selection of Photographs. The exhibition will feature more than 200 black-and-white photos spanning Adams’s 45-year career, showcasing the artistic legacy of the American photographer and his longstanding engagement with the contemporary Western landscape. Adams lived and worked in Colorado for nearly 30 years. Many of his most acclaimed images were taken in the Rocky Mountain region and will strike a familiar chord with visitors. The exhibition, organized by the Yale University Art Gallery, will be on view September 25, 2011-January 2, 2012 in the museum’s Gallagher Family Gallery.

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