Photographers can now trigger and quickly set ratios for three groups of radio controlled Qflashes and/or Trios. Set lighting ratios on the fly, right from your camera. Simply turn three controls on the CoPilot to instantly adjust lighting ratios as you shoot.
Canon U.S.A. Inc., a leader in digital imaging solutions, is once again joining forces with several of the country’s acclaimed national parks to offer free photography workshops to visitors this summer. The Canon Photography in the Parks Program provides participants with free equipment loans and professional photography instruction as they take part in a guided walking photo tour. Following the tour, participants have the opportunity to print images for free and take home a CD of their image files. Visitors of all ages and experience levels are welcome to participate.
On The Cover
In this month’s issue we have lab test reports on two ends of the camera spectrum, the Pentax Q and the Nikon D800. The D800 will come in two versions, one without a low-pass filter, so we thought it a good time to also explore the low-pass debate and what might be ahead for digital cameras. We also look at a sampling of new gear, from lighting to lenses to software. New: Check out web-exclusive tests at www.shutterbug.com.
Our Picture This! assignment this month was “Silhouette,” using exposure and composition to create an iconic form within the frame. The exposure technique involves choosing a brightly lit background, making a reading of that value and then having the form, or subject, sit between you and the light source. Readers responded with a host of subjects ranging from sculptural figures to wildlife to natural forms. We were excited by the many great images we received and choosing from among them was one of our toughest editing assignments yet.
On The Cover
In this issue we feature tests on a myriad of image software programs for everything from creating unique images to speeding workflow to aids in organizing and editing your work. We also continue our Image Tech series with in-depth tests on Nikon and Panasonic cameras plus take a look at a new trend in inkjet papers as well as a handy Wacom tablet that will make working with all that software in our tests so much easier. And visit us at www.shutterbug.com for more web-exclusive content added daily.
Our Picture This! assignment this month was “At the Flea Market.” The amazing diversity of material found at flea markets and antique malls is grist for a photographer’s mill. Not only are there odd and unusual items aplenty—from castoffs to treasures unknown—there’s also the element of the yet-undiscovered art directors, the dealers and vendors who arrange these items in sometimes random, sometimes ironically intentional ways. When photographers talk about capturing “found art” they needn’t go farther than their local flea market to find all they need.
Bicycles are integral to the city of Amsterdam’s lifestyle and while traveling there, I decided to give myself an assignment and carve out time to concentrate on them alone. I set up in the open window of my hotel room along a busy, narrow thoroughfare with a designated bicycle lane, next to the Amstel River, and began to shoot. I recorded an incredible variety of bikes, including some for hauling everything from pets to freight, but this one, which I call “Rush Hour,” has become my favorite.
On The Cover
This month’s issue continues our report of the new products of 2012 based on our coverage of the annual CES/PMA trade show. In this issue we cover new tripods, bags, lenses, and lighting. We also have an in-depth report on new tech that is beginning to revolutionize how we capture images, as well as Image Tech reports on the Sony A65 and Fujifilm X10. Plus there are some new photo stamps coming, this set honoring aerial photography, that we trust all of you who still send letters will use!
Our Picture This! assignment this month was “Things Are Looking Up” and readers responded with a great variety of images with a skyward point of view. Many were architectural studies, and the fascinating compositions we received transformed the spaces in which we work, visit, and live. The abstraction engendered by taking a new point of view was certainly visually rewarding in all the entries we saw. It reminded us that some of the best images we can make are those that are made by looking anywhere but straight ahead, and we think when you look at the images below you’ll agree.